Add to ORKGKardon presents historical details of the East Village art scene. While Sandler compares and contrasts the then and now of the scene, McCormick discusses at length the exhibited works. Biographical notes on 22 artists. Bibl. 2 p
In 1991, an innovative and original artistic space was created by Krystyna Potocka-Suwalska on the g...
"This groundbreaking book - part exhibition catalogue, part cultural history - chronicles alternativ...
Kardon writes on the ambivalent nature of public art in relation to how the public itself interacts ...
Book Description: Adolf Dehn (1895–1968), an American lithographer and watercolorist, captured the g...
The work of twelve 12 artists living in New York City is commented upon. The catalogue, comprising s...
Edward Hopper is generally acknowledged as an exemplary ‘American Scene’ painter and his work is und...
Edith Gregor Halpert (1900-1970) opened The Downtown Gallery November 6, 1926 in Greenwich Village t...
Exerpts from the introduction to the exhibition catalogue: Seoul Museum of Art presents the exhib...
Panel title.; Shows people, places, and events primarily from the second half of the 20th century bu...
This six-year retrospective of 35 New York artists recontextualizes seven artist-run spaces from the...
Considering artists' vehicules and metaphorical machinery by three New York artists, Kardon shows ho...
Ron Peck looking through book of photographs and reproductions and talking about where to start his ...
Includes bibliographical references (pages 69-74)Interest in Los Angeles cultural history has been r...
Craig Owens’ 1984 essay, “The Problem with Puerilism,” was written for a very specific context: as a...
In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable s...
In 1991, an innovative and original artistic space was created by Krystyna Potocka-Suwalska on the g...
"This groundbreaking book - part exhibition catalogue, part cultural history - chronicles alternativ...
Kardon writes on the ambivalent nature of public art in relation to how the public itself interacts ...
Book Description: Adolf Dehn (1895–1968), an American lithographer and watercolorist, captured the g...
The work of twelve 12 artists living in New York City is commented upon. The catalogue, comprising s...
Edward Hopper is generally acknowledged as an exemplary ‘American Scene’ painter and his work is und...
Edith Gregor Halpert (1900-1970) opened The Downtown Gallery November 6, 1926 in Greenwich Village t...
Exerpts from the introduction to the exhibition catalogue: Seoul Museum of Art presents the exhib...
Panel title.; Shows people, places, and events primarily from the second half of the 20th century bu...
This six-year retrospective of 35 New York artists recontextualizes seven artist-run spaces from the...
Considering artists' vehicules and metaphorical machinery by three New York artists, Kardon shows ho...
Ron Peck looking through book of photographs and reproductions and talking about where to start his ...
Includes bibliographical references (pages 69-74)Interest in Los Angeles cultural history has been r...
Craig Owens’ 1984 essay, “The Problem with Puerilism,” was written for a very specific context: as a...
In the late 1980s, a handful of artists priced out of Manhattan and desperately needing affordable s...
In 1991, an innovative and original artistic space was created by Krystyna Potocka-Suwalska on the g...
"This groundbreaking book - part exhibition catalogue, part cultural history - chronicles alternativ...
Kardon writes on the ambivalent nature of public art in relation to how the public itself interacts ...