Add to ORKGFor an exhibition of works by 35 Québec painters organized by a committee of students from McGill University and University of Montréal, Leduc acknowledges the recognition of abstract art. Includes excerpts from an article by Jacques de Tonnancour on the nature of art. Biographical notes
Swain discusses the new generation of abstract artists in Ontario represented during the Montréal Ol...
Leaflet to accompany an exhibition of works by 25 artists, graduates of Concordia University’s Fine ...
For the presentation of the work of 56 Canadian artists thirty years of age and under, the curators ...
For an exhibition of works by 35 Québec painters organized by a committee of students from McGill Un...
This catalogue, which accompanied an exhibition intended to demonstrate painting’s place in and rele...
In an interview, Corbeil elaborates on the history and development of his collection of works from t...
Thériault situates the exhibition historically while De Guise discusses individual works by 18 Québe...
Grouping five abstract artists who explored the tactile quality of paint, Tamplin recounts the devel...
Trépanier analyses painterly representations of the city of Montreal produced between 1838 and 1984 ...
Published on the occasion of the second anniversary of Rive Gauche Rive Droite and the 66th year of ...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
Molin Vasseur compares the work of 14 artists represented by Grünwald Gallery (Toronto) and Aubes 39...
Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec,...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
Swain discusses the new generation of abstract artists in Ontario represented during the Montréal Ol...
Leaflet to accompany an exhibition of works by 25 artists, graduates of Concordia University’s Fine ...
For the presentation of the work of 56 Canadian artists thirty years of age and under, the curators ...
For an exhibition of works by 35 Québec painters organized by a committee of students from McGill Un...
This catalogue, which accompanied an exhibition intended to demonstrate painting’s place in and rele...
In an interview, Corbeil elaborates on the history and development of his collection of works from t...
Thériault situates the exhibition historically while De Guise discusses individual works by 18 Québe...
Grouping five abstract artists who explored the tactile quality of paint, Tamplin recounts the devel...
Trépanier analyses painterly representations of the city of Montreal produced between 1838 and 1984 ...
Published on the occasion of the second anniversary of Rive Gauche Rive Droite and the 66th year of ...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
Molin Vasseur compares the work of 14 artists represented by Grünwald Gallery (Toronto) and Aubes 39...
Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec,...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
Swain discusses the new generation of abstract artists in Ontario represented during the Montréal Ol...
Leaflet to accompany an exhibition of works by 25 artists, graduates of Concordia University’s Fine ...
For the presentation of the work of 56 Canadian artists thirty years of age and under, the curators ...