Add to ORKGTreating the practice of ceramics and the ceramic-based installations by four Canadian artists, five essays review the ways in which artists manipulate clay's closeness to memory, imprint, and the body, as well as its capacity to carry personal, socio-political, and cultural histories. White deals extensively with ceramics in relation to function, modernism, social context, and the art/craft dilemma. Biographical notes. 29 bibl. ref
In my works, I capture and record gestures in a malleable material, clay. The movement of the body i...
My project investigates the concept of ‘in-betweenness’ and uses a range of research methods includi...
Only a very small minority of artists combine painting and ceramics. As a result, little has been do...
East, West and In-Between If art is a reflection of the creator, then Wong’s work is a visual collag...
Includes bibliographical references (page 18)Because my Master's show does not follow a traditional ...
Gomez presents a survey of developments in ceramics in Alberta, British Columbia and Saskatchewan fo...
This groundbreaking book is the first to provide a critical overview of the relationship between con...
Eight web-links to Vimeo documenting performance-led worksThis doctoral project combines a performan...
Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Sti...
My current ceramic work explores traditional ways of making that are informed by personal and cultur...
Clay/Ceramics tends to be approached and treated as separate from other arts both in terms of practi...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. ...
The authors outline the development of ceramic sculpture in Western Canada, the influence of Funk Ar...
The practice of ceramics is steeped in history and tradition. For thousands of years humans have exp...
In my works, I capture and record gestures in a malleable material, clay. The movement of the body i...
My project investigates the concept of ‘in-betweenness’ and uses a range of research methods includi...
Only a very small minority of artists combine painting and ceramics. As a result, little has been do...
East, West and In-Between If art is a reflection of the creator, then Wong’s work is a visual collag...
Includes bibliographical references (page 18)Because my Master's show does not follow a traditional ...
Gomez presents a survey of developments in ceramics in Alberta, British Columbia and Saskatchewan fo...
This groundbreaking book is the first to provide a critical overview of the relationship between con...
Eight web-links to Vimeo documenting performance-led worksThis doctoral project combines a performan...
Clay conversations arose out of collaborative conversations I had with British ceramicist Joanna Sti...
My current ceramic work explores traditional ways of making that are informed by personal and cultur...
Clay/Ceramics tends to be approached and treated as separate from other arts both in terms of practi...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
University of Technology, Sydney. Faculty of Humanities and Social Sciences.NO FULL TEXT AVAILABLE. ...
The authors outline the development of ceramic sculpture in Western Canada, the influence of Funk Ar...
The practice of ceramics is steeped in history and tradition. For thousands of years humans have exp...
In my works, I capture and record gestures in a malleable material, clay. The movement of the body i...
My project investigates the concept of ‘in-betweenness’ and uses a range of research methods includi...
Only a very small minority of artists combine painting and ceramics. As a result, little has been do...