Revealing the development of avant garde aesthetic thought in the 1960s, a series of written dialogues between Andre and Frampton examine the significance of Duchamp, the legacy of the New York School, the relevance of photography, etc. Biographical notes. 22 bibl. ref
Stéphanie Laudicina : Marcel Duchamp, Art Critic. In 1920, Marcel Duchamp founded, with Katherine D...
Allerkamp Andrea. Tropen de Robert Müller et Bebuquin de Carl Einstein — Un dialogue entre avant-gar...
textBelieving that one thing was real only if it corresponded with others, Ray Johnson highlighted t...
French artist Marcel Duchamp (1887-1968) is considered by many art professionals to be the greatest ...
This is the first book-length study of the American Minimalist artist, Carl Andre (b.1935). In a ran...
This work is premised on the assumption that the excuses for not engaging properly with Carl Andre's...
This paper examines Carl Andre's relationship to different artistic media in the light of the fact t...
This work is premised on the assumption that the excuses for not engaging properly with Carl Andre's...
Three authors treat aspects of Andre's work, analysing the piece titled "Die Milchstrasse" (The Milk...
Carl Andre, Beuys, Boltanski, Brecht, Broodthaers, Dan Graham, Richter, Rauschenberg, Weiner, to nam...
When the American filmmaker Hollis Frampton died in March 30, 1984, he left behind an unfinished pro...
Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), th...
The twentieth century - with its unprecedented advances in technology and scientific understanding -...
The following was originally intended to be a comprehensive bibliography of Duchamp; in particular, ...
Aims: To study aspects of Marcel Duchamp’s posthumous permanent installation 'Étant donnés: 1° La ch...
Stéphanie Laudicina : Marcel Duchamp, Art Critic. In 1920, Marcel Duchamp founded, with Katherine D...
Allerkamp Andrea. Tropen de Robert Müller et Bebuquin de Carl Einstein — Un dialogue entre avant-gar...
textBelieving that one thing was real only if it corresponded with others, Ray Johnson highlighted t...
French artist Marcel Duchamp (1887-1968) is considered by many art professionals to be the greatest ...
This is the first book-length study of the American Minimalist artist, Carl Andre (b.1935). In a ran...
This work is premised on the assumption that the excuses for not engaging properly with Carl Andre's...
This paper examines Carl Andre's relationship to different artistic media in the light of the fact t...
This work is premised on the assumption that the excuses for not engaging properly with Carl Andre's...
Three authors treat aspects of Andre's work, analysing the piece titled "Die Milchstrasse" (The Milk...
Carl Andre, Beuys, Boltanski, Brecht, Broodthaers, Dan Graham, Richter, Rauschenberg, Weiner, to nam...
When the American filmmaker Hollis Frampton died in March 30, 1984, he left behind an unfinished pro...
Charting the development of the studio practice of New York based artist Anthony McCall (b.1946), th...
The twentieth century - with its unprecedented advances in technology and scientific understanding -...
The following was originally intended to be a comprehensive bibliography of Duchamp; in particular, ...
Aims: To study aspects of Marcel Duchamp’s posthumous permanent installation 'Étant donnés: 1° La ch...
Stéphanie Laudicina : Marcel Duchamp, Art Critic. In 1920, Marcel Duchamp founded, with Katherine D...
Allerkamp Andrea. Tropen de Robert Müller et Bebuquin de Carl Einstein — Un dialogue entre avant-gar...
textBelieving that one thing was real only if it corresponded with others, Ray Johnson highlighted t...