Add to ORKGA note by the jury on the quality of selected works and the present state of Canadian art precedes the catalogue of the 98 pictorial works selected. Biographical notes
Catalogue of the works chosen by the Selection committee of this second Biennial, a contest opened t...
Kirby outlines the Art Bank's objectives to assist and promote Canadian artists through a rental pro...
Withrow considers events which have contributed to the development of Canadian sculpture for this ex...
A note by the jury on the quality of selected works and the present state of Canadian art precedes t...
A note by the jury, which comments briefly on the distribution of genres and on the quality of work ...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
A catalogue of selected ceramic pieces originating from Canada, with introductory statements by the ...
Rombout outlines the Canada Council's objectives in promoting contemporary Canadian art, while point...
Presentation of large format works by 26 Canadian artists specializing in warp-tapestry. Biographica...
Jury member Viau notes the aims of the Biennial. Biographical notes on the 40 selected artists
Five jury members describe the methodology behind their selection of fibre works by 26 Canadian arti...
The authors describe the aims organization and results of the exhibition. Includes comments by the j...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Published on the occasion of the second anniversary of Rive Gauche Rive Droite and the 66th year of ...
Porteous briefly outlines the history of the Art Bank since its inception in 1971. Kirby describes t...
Catalogue of the works chosen by the Selection committee of this second Biennial, a contest opened t...
Kirby outlines the Art Bank's objectives to assist and promote Canadian artists through a rental pro...
Withrow considers events which have contributed to the development of Canadian sculpture for this ex...
A note by the jury on the quality of selected works and the present state of Canadian art precedes t...
A note by the jury, which comments briefly on the distribution of genres and on the quality of work ...
Harper discusses "the confused pattern of Canadian painting", assessing strengths and weaknesses whi...
A catalogue of selected ceramic pieces originating from Canada, with introductory statements by the ...
Rombout outlines the Canada Council's objectives in promoting contemporary Canadian art, while point...
Presentation of large format works by 26 Canadian artists specializing in warp-tapestry. Biographica...
Jury member Viau notes the aims of the Biennial. Biographical notes on the 40 selected artists
Five jury members describe the methodology behind their selection of fibre works by 26 Canadian arti...
The authors describe the aims organization and results of the exhibition. Includes comments by the j...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Published on the occasion of the second anniversary of Rive Gauche Rive Droite and the 66th year of ...
Porteous briefly outlines the history of the Art Bank since its inception in 1971. Kirby describes t...
Catalogue of the works chosen by the Selection committee of this second Biennial, a contest opened t...
Kirby outlines the Art Bank's objectives to assist and promote Canadian artists through a rental pro...
Withrow considers events which have contributed to the development of Canadian sculpture for this ex...