Rainer's autobiographical recollections shed insight on the artist's development. The monograph records various dance and multi-media performances and filmworks (1961-1973) through retrospective texts by the artist detailing the events, supplemented by reproduced programme notes, published texts, reviews, journal excerpts, personal notes, diagrams, and photographs. Includes a chronology of the artist's work
In a largely biographical essay, Smith documents the development of Judd's work from art criticism a...
This publication, featuring the book-length essay “Field Pulsations” by Sarah Hayden and Paul Hegart...
This issue addresses the practice of documentation in the art of the 1960s. Documentation is here un...
Rainer's autobiographical recollections shed insight on the artist's development. The monograph reco...
This thesis explores the ways in which Yvonne Rainer’s manipulation of the body was bound up with mi...
The evolution of experimental and avant-garde dance from the 1960's to the 1980's is briefly describ...
"In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic...
"In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Rainbird's essay provides a narrative of Richter's artistic development and influences. Germer asses...
This dissertation investigates the early career of Gerhard Richter. Born in 1932 in Dresden, the art...
One of a series of four books published on the occasion of a retrospective of Snow's work, this publ...
The multiplicity of Yvonne Rainer’s art and intellectual works - in dance, performance, film, theore...
This dissertation examines the role of media and movement in contemporary choreography and film. In ...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...
In a largely biographical essay, Smith documents the development of Judd's work from art criticism a...
This publication, featuring the book-length essay “Field Pulsations” by Sarah Hayden and Paul Hegart...
This issue addresses the practice of documentation in the art of the 1960s. Documentation is here un...
Rainer's autobiographical recollections shed insight on the artist's development. The monograph reco...
This thesis explores the ways in which Yvonne Rainer’s manipulation of the body was bound up with mi...
The evolution of experimental and avant-garde dance from the 1960's to the 1980's is briefly describ...
"In this memoir, dancer, choreographer, and filmmaker Yvonne Rainer traces her personal and artistic...
"In 1968, toward the end of a decade that witnessed civil rights protests, the escalation of the war...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Rainbird's essay provides a narrative of Richter's artistic development and influences. Germer asses...
This dissertation investigates the early career of Gerhard Richter. Born in 1932 in Dresden, the art...
One of a series of four books published on the occasion of a retrospective of Snow's work, this publ...
The multiplicity of Yvonne Rainer’s art and intellectual works - in dance, performance, film, theore...
This dissertation examines the role of media and movement in contemporary choreography and film. In ...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...
In a largely biographical essay, Smith documents the development of Judd's work from art criticism a...
This publication, featuring the book-length essay “Field Pulsations” by Sarah Hayden and Paul Hegart...
This issue addresses the practice of documentation in the art of the 1960s. Documentation is here un...