Add to ORKGIn a brief statement, Taylor emphasizes the ecological and political concerns underlying the exhibition. Biographical notes on the seven participating Canadian artists
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
In a brief statement, Taylor emphasizes the ecological and political concerns underlying the exhibit...
The curator, Wherry, writing from a First Nations arts context, considers the work of the four artis...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
Publication documenting the Sprawl exhibition and symposium co-curated by S. Fortin, R.W. Hill, D. M...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
Ferguson problematizes Canada as territory, identity, and representation. Proposing that the 15 arti...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
A brief statement by Marsden and Riley indicates the curatorial principles at the heart of this show...
In a discussion with Osterwold, Ferguson notes the curator's eclectic selection of 15 contemporary C...
Collected interviews, correspondence and statements trace the artists' relationship to the medium of...
Noting the development of art in Saskatchewan, particularly the influence of American artists and th...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...
In a brief statement, Taylor emphasizes the ecological and political concerns underlying the exhibit...
The curator, Wherry, writing from a First Nations arts context, considers the work of the four artis...
Ten Montréal-based artists form the subject of this exhibition catalogue. The introduction claims th...
Publication documenting the Sprawl exhibition and symposium co-curated by S. Fortin, R.W. Hill, D. M...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
Ferguson problematizes Canada as territory, identity, and representation. Proposing that the 15 arti...
Gamzu recounts the organization of the exhibition while Théberge mixes biographical details of the a...
A brief statement by Marsden and Riley indicates the curatorial principles at the heart of this show...
In a discussion with Osterwold, Ferguson notes the curator's eclectic selection of 15 contemporary C...
Collected interviews, correspondence and statements trace the artists' relationship to the medium of...
Noting the development of art in Saskatchewan, particularly the influence of American artists and th...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
Fraser stresses the political relevance and spiritualism of outdoor, site-related, installation work...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
Baert defines the themes of the exhibition as enchantment (the aesthetic) and disturbance (the polit...