Add to ORKGIn an extensive historical essay, Ring traces the conflict between a modernist and regionalist aesthetic in Teitelbaum's work. The painter's son describes the importance of Saskatchewan landscape for his father. Biographical notes. Circa 45 bibl. ref
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Examining the influences and stylistic diversity of major figures in the 1950s Saskatoon art scene, ...
In an extensive historical essay, Ring traces the conflict between a modernist and regionalist aesth...
Arnold locates Teitelbaum in the context of Canadian postmodernism and the avant-garde, Fulford chro...
The best of landscape painting draws itself from a layer of meaning in life which is rooted in spec...
It is my intention in this paper to examine the idea of identity in prairie art, in comparison to th...
The authors describe the development of art and arts groups in Saskatchewan from the 1850s to 1970, ...
In her discussion of multimedia works by five artists, exhibiting artist Butler points out the benef...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
Lampard compares the regionalist histories of the arts of Saskatchewan's two university cities, cont...
This essay assesses the role of regionalism in interwar Austrian painting with a focus on the Tyrole...
The BA thesis deals with the use of region in the works of two renowned Canadian authors of the 20th...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
In 1964 Clement Greenberg suffered his greatest setback as the critical arbiter of modern painting. ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Examining the influences and stylistic diversity of major figures in the 1950s Saskatoon art scene, ...
In an extensive historical essay, Ring traces the conflict between a modernist and regionalist aesth...
Arnold locates Teitelbaum in the context of Canadian postmodernism and the avant-garde, Fulford chro...
The best of landscape painting draws itself from a layer of meaning in life which is rooted in spec...
It is my intention in this paper to examine the idea of identity in prairie art, in comparison to th...
The authors describe the development of art and arts groups in Saskatchewan from the 1850s to 1970, ...
In her discussion of multimedia works by five artists, exhibiting artist Butler points out the benef...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
Lampard compares the regionalist histories of the arts of Saskatchewan's two university cities, cont...
This essay assesses the role of regionalism in interwar Austrian painting with a focus on the Tyrole...
The BA thesis deals with the use of region in the works of two renowned Canadian authors of the 20th...
Tracing the evolution of de Kergommeaux's painting from early abstraction to grid-based imagery, and...
In 1964 Clement Greenberg suffered his greatest setback as the critical arbiter of modern painting. ...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Long provides a definition of "folk art" and recounts how the "iconoclastic" movement in the 1970s b...
Examining the influences and stylistic diversity of major figures in the 1950s Saskatoon art scene, ...