Add to ORKGMoppett comments on Welsh's working method influences, and relation to the landscape that is the subject of her paintings. Biographical notes
Hodgson's use of cropping and close-ups is viewed as a revitalization of landscape painting. Biograp...
The author comments on Van Walsem's use of materials and techniques in her weaving. Biographical not...
Richmond focuses on how Cuthand incorporates her native cultural heritage into her paintings. Biogra...
Moppett comments on Welsh's working method influences, and relation to the landscape that is the sub...
Schoonover summarizes Welsh's educational background and its relation to her images of vegetation an...
Morgan discusses how Pawson's education and preference for working outdoors influence her landscapes...
In a brief statement, Fair describes influences on her painting. Biographical notes
There is still a long way to go to establish an artistic tradition for women in Wales. In this paper...
Bailey reflects on the poetry of landscape in relation to Patricia and Robert Campbell's approach to...
Heuser and Meyrick assess the work and career of Gwilym Prichard, one of the Wales' foremost 20th-ce...
Moppett provides a biographical context for a discussion Saunders' linocut, watercolour and photogra...
Acquaintances and artists reflect on Seary's role as an art educator and artist in Newfoundland. Inc...
In a largely biographical text, Lehrer considers the working relationship behind landscape works by ...
Quoting the artist and providing biographical insights, Williams reflects on the painter's familiari...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...
Hodgson's use of cropping and close-ups is viewed as a revitalization of landscape painting. Biograp...
The author comments on Van Walsem's use of materials and techniques in her weaving. Biographical not...
Richmond focuses on how Cuthand incorporates her native cultural heritage into her paintings. Biogra...
Moppett comments on Welsh's working method influences, and relation to the landscape that is the sub...
Schoonover summarizes Welsh's educational background and its relation to her images of vegetation an...
Morgan discusses how Pawson's education and preference for working outdoors influence her landscapes...
In a brief statement, Fair describes influences on her painting. Biographical notes
There is still a long way to go to establish an artistic tradition for women in Wales. In this paper...
Bailey reflects on the poetry of landscape in relation to Patricia and Robert Campbell's approach to...
Heuser and Meyrick assess the work and career of Gwilym Prichard, one of the Wales' foremost 20th-ce...
Moppett provides a biographical context for a discussion Saunders' linocut, watercolour and photogra...
Acquaintances and artists reflect on Seary's role as an art educator and artist in Newfoundland. Inc...
In a largely biographical text, Lehrer considers the working relationship behind landscape works by ...
Quoting the artist and providing biographical insights, Williams reflects on the painter's familiari...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...
Hodgson's use of cropping and close-ups is viewed as a revitalization of landscape painting. Biograp...
The author comments on Van Walsem's use of materials and techniques in her weaving. Biographical not...
Richmond focuses on how Cuthand incorporates her native cultural heritage into her paintings. Biogra...