Questionning the relationship between photographic representation and reality, Ferguson reveals a desire to visually stimulate the same inquiry within the viewer
The unprecedented production and consumption of images and words we experience is in part, linked to...
African photography has long been closely linked to portraiture, initially in the way that it was us...
The entitled study Salvador Dali and the photography : portraits of surrealism (1927-1942) shows how...
In separate texts, Ferguson compares the phenomenological experience of an object to that of its pho...
Ferguson questions photography's capacity to capture the essence of a subject and comments on the me...
Quoting Ferguson's remark regarding the impossibility of painting landscape today, Milrod examines t...
Focusing on the artist's use of self-representations, Ferguson examines Campbell's video in relation...
Stebbins comments on Ferguson's watercolour depictions of the site of a mining disaster, based on a ...
Photography, by its nature, possesses a strong documentary paradigm. The challenge for photographers...
Ferguson describes the various conventions combined in his still life paintings. Biographical note
Since the inception of photographic print processes in the eighteenth century, our relationship wit...
In his examination of the work of nine Canadian and American artists, Ferguson demonstrates the comp...
Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate ...
Just as the Calotype and the Daguerreotype were invented by Fox Talbot and Louis Daugerre respective...
Pointing to the overlapping fields of consumer and museum cultures, Ferguson analyses Steinbach's si...
The unprecedented production and consumption of images and words we experience is in part, linked to...
African photography has long been closely linked to portraiture, initially in the way that it was us...
The entitled study Salvador Dali and the photography : portraits of surrealism (1927-1942) shows how...
In separate texts, Ferguson compares the phenomenological experience of an object to that of its pho...
Ferguson questions photography's capacity to capture the essence of a subject and comments on the me...
Quoting Ferguson's remark regarding the impossibility of painting landscape today, Milrod examines t...
Focusing on the artist's use of self-representations, Ferguson examines Campbell's video in relation...
Stebbins comments on Ferguson's watercolour depictions of the site of a mining disaster, based on a ...
Photography, by its nature, possesses a strong documentary paradigm. The challenge for photographers...
Ferguson describes the various conventions combined in his still life paintings. Biographical note
Since the inception of photographic print processes in the eighteenth century, our relationship wit...
In his examination of the work of nine Canadian and American artists, Ferguson demonstrates the comp...
Thi s bachelor thesis is about photography and its role in marketing communications. To demonstrate ...
Just as the Calotype and the Daguerreotype were invented by Fox Talbot and Louis Daugerre respective...
Pointing to the overlapping fields of consumer and museum cultures, Ferguson analyses Steinbach's si...
The unprecedented production and consumption of images and words we experience is in part, linked to...
African photography has long been closely linked to portraiture, initially in the way that it was us...
The entitled study Salvador Dali and the photography : portraits of surrealism (1927-1942) shows how...