Add to ORKGAnnotated documentation of currently distributed international videotapes completed between 1989 and 1991. In 12 articles, authors discuss London Video Access, the European Venue Project, and the Bonn Videonale, as well as such issues as the objectives of video in Britain, marginality, the exclusivity of the category of "video art," video activism, gender, and the feminist perspective in video history. 6 bibl. ref
Catalogue of videotapes proposed by Le Vidéographe. Lachapelle and Waugh comment on this selection w...
‘European Women’s Video Art’ is a multi-component research project, led by Elaine Shemilt, which inv...
For the fifth edition of the event, the catalogue assembles approximately 20 essays, analyses, and r...
Annotated documentation of circa 100 international videotapes made between 1990 and 1993 for sale or...
http://www.ewva.ac.ukEWVA European Women’s Video Art in the 70s and 80s aims to recover and reassess...
In this tabloid-format catalogue on nine international video artists' work in eight exhibitions, Lon...
Adam Lockhart - Consultancy, recovery and digitisation of material for LCVA archive at DJCAD Media P...
This is the project website for "European Women's Video Art in the 70s and 80s (EWVA)". This project...
The EWVA book is the main output of the Arts and Humanities Research Council funded research project...
Despite the fact that several women artists had been experimenting with the medium since the 70s and...
This catalogue for an exhibition of British video art is comprised of 15 leaves contained in a box r...
This article identifies and examines the research methods involved in curating a national collection...
Billingham's art video 'Fishtank' (47mins) was programmed and screened in 'Video Work in 'European M...
When VHS technology took off in the late 1970s/early 1980s, it triggered widespread hopes in the UK ...
The EWVA book is the main output of the Arts and Humanities Research Council funded research project...
Catalogue of videotapes proposed by Le Vidéographe. Lachapelle and Waugh comment on this selection w...
‘European Women’s Video Art’ is a multi-component research project, led by Elaine Shemilt, which inv...
For the fifth edition of the event, the catalogue assembles approximately 20 essays, analyses, and r...
Annotated documentation of circa 100 international videotapes made between 1990 and 1993 for sale or...
http://www.ewva.ac.ukEWVA European Women’s Video Art in the 70s and 80s aims to recover and reassess...
In this tabloid-format catalogue on nine international video artists' work in eight exhibitions, Lon...
Adam Lockhart - Consultancy, recovery and digitisation of material for LCVA archive at DJCAD Media P...
This is the project website for "European Women's Video Art in the 70s and 80s (EWVA)". This project...
The EWVA book is the main output of the Arts and Humanities Research Council funded research project...
Despite the fact that several women artists had been experimenting with the medium since the 70s and...
This catalogue for an exhibition of British video art is comprised of 15 leaves contained in a box r...
This article identifies and examines the research methods involved in curating a national collection...
Billingham's art video 'Fishtank' (47mins) was programmed and screened in 'Video Work in 'European M...
When VHS technology took off in the late 1970s/early 1980s, it triggered widespread hopes in the UK ...
The EWVA book is the main output of the Arts and Humanities Research Council funded research project...
Catalogue of videotapes proposed by Le Vidéographe. Lachapelle and Waugh comment on this selection w...
‘European Women’s Video Art’ is a multi-component research project, led by Elaine Shemilt, which inv...
For the fifth edition of the event, the catalogue assembles approximately 20 essays, analyses, and r...