Add to ORKGCameron and Murchie discuss the internationalization of the Nova Scotia College of Art and Design in the 1970s and the impact of five American artists linked to it. Friedenberg's article, reprinted from 1971, compares Canadian and American political life and social conditions from the perspective of an American expatriate. Biographical notes. 8 bibl. ref
In 1957, Canada's National Industrial Design Council (NIDC) organized a display for the Triennale d...
MacKeeman describes the diversity of graphic art in the Maritimes through works submitted in the com...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...
Cameron and Murchie discuss the internationalization of the Nova Scotia College of Art and Design in...
Exhibition Dates:12 March - 3 June 2018 Alice R. Rogers Gallery & Target Gallery St John's Art ...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
The curator's brief statement traces origins of textile art in Nova Scotia to its roots in quiltmaki...
Shuebrook describes the history and influence of institutions and individuals in the development of ...
The Painting in Canada exhibition, held in the entrance foyer of the Candian pavilion at the Montrea...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Includes statements by some of the nine participating artists. Biographical notes
Gagnon discusses works by three Canadian artists who explore the subject of Asian identity in Canada...
During the nineteenth century, an artistic trend spread across Europe. As urban centers housed the m...
This research/performance text emerged from a study involving internationally educated female teache...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
In 1957, Canada's National Industrial Design Council (NIDC) organized a display for the Triennale d...
MacKeeman describes the diversity of graphic art in the Maritimes through works submitted in the com...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...
Cameron and Murchie discuss the internationalization of the Nova Scotia College of Art and Design in...
Exhibition Dates:12 March - 3 June 2018 Alice R. Rogers Gallery & Target Gallery St John's Art ...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
The curator's brief statement traces origins of textile art in Nova Scotia to its roots in quiltmaki...
Shuebrook describes the history and influence of institutions and individuals in the development of ...
The Painting in Canada exhibition, held in the entrance foyer of the Candian pavilion at the Montrea...
Nasgaard notes some of the problematics of identifying a specifically Canadian art in his discussion...
Includes statements by some of the nine participating artists. Biographical notes
Gagnon discusses works by three Canadian artists who explore the subject of Asian identity in Canada...
During the nineteenth century, an artistic trend spread across Europe. As urban centers housed the m...
This research/performance text emerged from a study involving internationally educated female teache...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
In 1957, Canada's National Industrial Design Council (NIDC) organized a display for the Triennale d...
MacKeeman describes the diversity of graphic art in the Maritimes through works submitted in the com...
grantor: University of TorontoArt and Social Progress: The Toronto community of Painters, ...