Add to ORKGIn his discussion of developments in Tousignant's work from the 1960s through the 1970s, Burnett draws attention to the figure of the grid in the artist's photographic series. Biographical notes. 4 bibl. ref
Prefacing a discussion of works by photographers Tousignant and Buquet is an historical overview of ...
In brief artists' statements, Daigle and Tousignant describe their work in painting and sculpture an...
Marteau's analyse of Toupin's oeuvre provides a metaphorical interpretation of the artist's painting...
Dessureault traces Tousignant's photographic career, identifying three periods that correspond to sp...
Viau points to the suggestive nature of Tousignant's latest photographs by examining their relations...
In an essay both technical and laudatory, Campbell demonstrates the contribution of the Montreal art...
Proposing a biographical survey, Corbeil describes Tousignant's activities in Montreal during the 19...
Thériault's essay situates Tousignant's work in an historical context and analyzes the painter-sculp...
In this monograph, Campbell presents Tousignant's development through carefully designated periods i...
Campeau traces Tousignant's beginnings in sculpture, then his development in photography and invokes...
Thériault focuses on the implications of the use of colour in Tousignant's paintings. Includes a bri...
Tousley recounts Perehudoff's career from its beginnings in 1945 to the 1960s, examining his early t...
Commenting on Toupin's work (particularly his white paintings) Barras questions the influence of the...
Fürstenberg, in describing Tosani's colour photographs refers to his use of enlargement and "dis-foc...
Bellerby describes Tobey's encounter with oriental ideas on art and spirituality and their influence...
Prefacing a discussion of works by photographers Tousignant and Buquet is an historical overview of ...
In brief artists' statements, Daigle and Tousignant describe their work in painting and sculpture an...
Marteau's analyse of Toupin's oeuvre provides a metaphorical interpretation of the artist's painting...
Dessureault traces Tousignant's photographic career, identifying three periods that correspond to sp...
Viau points to the suggestive nature of Tousignant's latest photographs by examining their relations...
In an essay both technical and laudatory, Campbell demonstrates the contribution of the Montreal art...
Proposing a biographical survey, Corbeil describes Tousignant's activities in Montreal during the 19...
Thériault's essay situates Tousignant's work in an historical context and analyzes the painter-sculp...
In this monograph, Campbell presents Tousignant's development through carefully designated periods i...
Campeau traces Tousignant's beginnings in sculpture, then his development in photography and invokes...
Thériault focuses on the implications of the use of colour in Tousignant's paintings. Includes a bri...
Tousley recounts Perehudoff's career from its beginnings in 1945 to the 1960s, examining his early t...
Commenting on Toupin's work (particularly his white paintings) Barras questions the influence of the...
Fürstenberg, in describing Tosani's colour photographs refers to his use of enlargement and "dis-foc...
Bellerby describes Tobey's encounter with oriental ideas on art and spirituality and their influence...
Prefacing a discussion of works by photographers Tousignant and Buquet is an historical overview of ...
In brief artists' statements, Daigle and Tousignant describe their work in painting and sculpture an...
Marteau's analyse of Toupin's oeuvre provides a metaphorical interpretation of the artist's painting...