In a re-edited text, Tousley describes the anti-modernist aspects of Thauberger's work. Biographical notes
Rivet Paul. Thalbitzer (William). Grönlandske Sagn am Eskimoernes fortid (Les récits et les légendes...
In this monograph, Campbell presents Tousignant's development through carefully designated periods i...
1847-1935. Berlin, Max Liebermann trained in Weimar before continuing to study in Amsterdam and Pari...
The development of Thauberger's images of the prairie landscape, of architecture and of cultural art...
White explains the importance of community and popular culture in Thauberger's paintings of Southern...
Morgan traces Thauberger's career, emphasizing his affinity for Saskatchewan. Biographical notes
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...
In his discussion of developments in Tousignant's work from the 1960s through the 1970s, Burnett dra...
Thériault's essay situates Tousignant's work in an historical context and analyzes the painter-sculp...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
Thériault divides his essay in two sections: "The Critic" where Tousignant's approach is seen as non...
Reprint from Tolstoy Studies Journal, vol 10 (1998). Also included is a photograph of a WW I militar...
Allen describes Craven's and Klunder's painting as a reformulation of the formalist tradition within...
Wagner offers a biographical account and Teufler relates the artist's work to language. In interview...
A DOCTORAL PROJECT ON MODERNIST BIOGRAPHY IN PERSPECTIVE Posted by Maryam Thirriard, doctoral studen...
Rivet Paul. Thalbitzer (William). Grönlandske Sagn am Eskimoernes fortid (Les récits et les légendes...
In this monograph, Campbell presents Tousignant's development through carefully designated periods i...
1847-1935. Berlin, Max Liebermann trained in Weimar before continuing to study in Amsterdam and Pari...
The development of Thauberger's images of the prairie landscape, of architecture and of cultural art...
White explains the importance of community and popular culture in Thauberger's paintings of Southern...
Morgan traces Thauberger's career, emphasizing his affinity for Saskatchewan. Biographical notes
In an essay responding to Thauberger’s paintings of Moose Jaw, Hall contends that the city is an imp...
In his discussion of developments in Tousignant's work from the 1960s through the 1970s, Burnett dra...
Thériault's essay situates Tousignant's work in an historical context and analyzes the painter-sculp...
Noting comments by American critics about painting in Toronto, Tousley elaborates on formal characte...
Thériault divides his essay in two sections: "The Critic" where Tousignant's approach is seen as non...
Reprint from Tolstoy Studies Journal, vol 10 (1998). Also included is a photograph of a WW I militar...
Allen describes Craven's and Klunder's painting as a reformulation of the formalist tradition within...
Wagner offers a biographical account and Teufler relates the artist's work to language. In interview...
A DOCTORAL PROJECT ON MODERNIST BIOGRAPHY IN PERSPECTIVE Posted by Maryam Thirriard, doctoral studen...
Rivet Paul. Thalbitzer (William). Grönlandske Sagn am Eskimoernes fortid (Les récits et les légendes...
In this monograph, Campbell presents Tousignant's development through carefully designated periods i...
1847-1935. Berlin, Max Liebermann trained in Weimar before continuing to study in Amsterdam and Pari...