Add to ORKGBorcoman situates Roberts' work; Ayre provides a biographical sketch of the painter; and Pinsky elaborates on formal and thematic elements in the artist's work. Includes a reprinted statement by Roberts. Biographical notes. Circa 60 bibl. ref
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
On the occasion of a retrospective exhibition, Wylie traces Ontario painter Gorman's work since 1960...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...
Wilkin traces Roberts' career as a figurative artist, noting how his approach to landscape painting ...
Town's introduction to Roberts' later work situates his "conservative aesthetic" amidst the prevaili...
Within a biographical context, Paikowsky analyses Robert's figurative painting, offering a compariso...
The authors survey Roberts' career. Annotated catalogue entries include comments
Knowling describes Goodridge's versatile work as emerging from a Victorian sense of the British Empi...
For a retrospective exhibition, texts by Withrow, Bice and Mastin celebrate Saltmarche's career as a...
Meadowcroft's biographical essay on painter Savage highlights the particular difficulties associated...
"The Percival Ritchie retrospective exhibition is a significant event in itself. It is the artist's ...
In an extensive essay, Christopher Varley documents the life and work of his father, the painter F.H...
Robert Goodnough was an American artist (painter and sculptor) and writer, who was active during the...
Goodridge defines ten artists' work as a continuation of the landscape tradition in Newfoundland. Ar...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
On the occasion of a retrospective exhibition, Wylie traces Ontario painter Gorman's work since 1960...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...
Wilkin traces Roberts' career as a figurative artist, noting how his approach to landscape painting ...
Town's introduction to Roberts' later work situates his "conservative aesthetic" amidst the prevaili...
Within a biographical context, Paikowsky analyses Robert's figurative painting, offering a compariso...
The authors survey Roberts' career. Annotated catalogue entries include comments
Knowling describes Goodridge's versatile work as emerging from a Victorian sense of the British Empi...
For a retrospective exhibition, texts by Withrow, Bice and Mastin celebrate Saltmarche's career as a...
Meadowcroft's biographical essay on painter Savage highlights the particular difficulties associated...
"The Percival Ritchie retrospective exhibition is a significant event in itself. It is the artist's ...
In an extensive essay, Christopher Varley documents the life and work of his father, the painter F.H...
Robert Goodnough was an American artist (painter and sculptor) and writer, who was active during the...
Goodridge defines ten artists' work as a continuation of the landscape tradition in Newfoundland. Ar...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Marchand briefly presents Molinari's career and interviews the artist on the specificity of his pict...
On the occasion of a retrospective exhibition, Wylie traces Ontario painter Gorman's work since 1960...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...