Shuebrook discusses formal aspects of Redgrave's watercolour, print and painting renditions of night skies. Biographical notes
English Victorian botanical artist Marianne North is celebrated for her meticulous attention to deta...
Brandon describes Rutherford's rich watercolours of land and seascapes, as well as the artist's work...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...
Laurette considers the historical antecedents and formal implications of Redgrave's rock and landsca...
Artist Hazelgrove describes the reflective process which precedes her studio work while Dompierre no...
A catalogue to accompany Dobson’s exhibition of night paintings and prints. Dobson’s statement focus...
The author suggests that Sharpe's paintings refer to the landscape despite their formalist abstracti...
The exhibition presented the work of artists from the seventeenth to the twenty-first century that d...
Following a brief biography and a description of her landscapes in watercolour, Reed describes her i...
Describing Falk's Night Skies series, Graff looks at the artist's approach to painting and the devel...
Tessa Farmer is an artist and enchanted entomologist, who endears herself to the researcher, explore...
Examining Berzins' images, Miller focuses on the artist's process of building up and structuring her...
Redgrave discusses the processes and formal properties of the artist's abstract paintings and drawin...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes
Goldstein describes her paintings from 1987-89 of the northern Ontario landscape as observations of ...
English Victorian botanical artist Marianne North is celebrated for her meticulous attention to deta...
Brandon describes Rutherford's rich watercolours of land and seascapes, as well as the artist's work...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...
Laurette considers the historical antecedents and formal implications of Redgrave's rock and landsca...
Artist Hazelgrove describes the reflective process which precedes her studio work while Dompierre no...
A catalogue to accompany Dobson’s exhibition of night paintings and prints. Dobson’s statement focus...
The author suggests that Sharpe's paintings refer to the landscape despite their formalist abstracti...
The exhibition presented the work of artists from the seventeenth to the twenty-first century that d...
Following a brief biography and a description of her landscapes in watercolour, Reed describes her i...
Describing Falk's Night Skies series, Graff looks at the artist's approach to painting and the devel...
Tessa Farmer is an artist and enchanted entomologist, who endears herself to the researcher, explore...
Examining Berzins' images, Miller focuses on the artist's process of building up and structuring her...
Redgrave discusses the processes and formal properties of the artist's abstract paintings and drawin...
Graham discusses Wehr's moody skyscape paintings and meticoulus ink drawings. Biographical notes
Goldstein describes her paintings from 1987-89 of the northern Ontario landscape as observations of ...
English Victorian botanical artist Marianne North is celebrated for her meticulous attention to deta...
Brandon describes Rutherford's rich watercolours of land and seascapes, as well as the artist's work...
Thom describes the historical background of Shadbolt's watercolours dating from 1938 to 1955. Includ...