Add to ORKGWilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1970s. Biographical notes
Daigneault documents the formal experimentation in Horvat's paintings of the 1960s and 1970s. Biogra...
Defining Hardy's work as linked to the Saskatchewan community and the Canadian tradition of landscap...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
Wilkin describes Haynes' approach to art history and investigates the relationship between Haynes' p...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
In her essay, Wilkin notes the influence of early abstract painters on works by Drapell, Feist, Hayn...
Lawlor describes Nickerson's abstract paintings, referring to his spirituality and his use of visual...
Baster examines how Craven incorporated his abstract painting processes from the late 1970s into his...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Wilkin traces colour-field painter Feist's career from 1971 to 1980, quoting frequently from the art...
In an analysis of the artist's most recent abstract paintings, sculptures, and stage designs concern...
Larsen traces the development of Smith's career as a landscape painter by examining the formal chang...
Wilkin briefly describes the transformations which took place in Drouin's painting between 1972 and ...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
Daigneault documents the formal experimentation in Horvat's paintings of the 1960s and 1970s. Biogra...
Defining Hardy's work as linked to the Saskatchewan community and the Canadian tradition of landscap...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Refering to Haynes' work as post-painterly abstraction, the authors examine his work and his use of ...
Wilkin describes Haynes' approach to art history and investigates the relationship between Haynes' p...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
In her essay, Wilkin notes the influence of early abstract painters on works by Drapell, Feist, Hayn...
Lawlor describes Nickerson's abstract paintings, referring to his spirituality and his use of visual...
Baster examines how Craven incorporated his abstract painting processes from the late 1970s into his...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Wilkin traces colour-field painter Feist's career from 1971 to 1980, quoting frequently from the art...
In an analysis of the artist's most recent abstract paintings, sculptures, and stage designs concern...
Larsen traces the development of Smith's career as a landscape painter by examining the formal chang...
Wilkin briefly describes the transformations which took place in Drouin's painting between 1972 and ...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
Daigneault documents the formal experimentation in Horvat's paintings of the 1960s and 1970s. Biogra...
Defining Hardy's work as linked to the Saskatchewan community and the Canadian tradition of landscap...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...