Rainbird's essay provides a narrative of Richter's artistic development and influences. Germer assesses the painter's production in terms of the artist's historical, philosophical and aesthetic awareness of his medium, its function and reception. Ascherson discusses Richter's identity in the social and political context of postwar Germany. Includes writings by Richter from 1966 to 1990, mostly from his private journals, and interspersed with photographs of the artist in his studio. Biographical notes. Bibl. 6 p
textOn October 11, 1963, artists Gerhard Richter and Konrad Lueg held the event “Leben mit Pop: Eine...
This essay explores several paintings produced by the contemporary artists Gerhard Richter and Anton...
The essay focuses on the friendship and collaborative relationship between Heinrich Böll and the fou...
Rainbird's essay provides a narrative of Richter's artistic development and influences. Germer asses...
Nasgaard's essay divides Richter's paintings into figurative, constructive and abstract "periods" de...
This dissertation investigates the early career of Gerhard Richter. Born in 1932 in Dresden, the art...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Ritchie examines one of Richter's photo paintings in the context of his influences and multiple styl...
A Companion to Modern Art presents a series of original essays by international and interdisciplinar...
From the artist’s very first photo-paintings to the most recent abstracts, landscape has been an omn...
Cork traves the precedents - previous work, photographic influence, personal and political history -...
The article discusses issues of traumatic memory and their relationship to contemporary art, focusin...
Gerhard Richter’s Atlas is a collection of photographs and sketches that the artist started to assem...
This chapter is concerned with the continuation of the practice of painting in Eurpe and the USA in ...
In 1988, Gerhard Richter completed 18. Oktober 1977, the controversial fifteen-painting cycle that d...
textOn October 11, 1963, artists Gerhard Richter and Konrad Lueg held the event “Leben mit Pop: Eine...
This essay explores several paintings produced by the contemporary artists Gerhard Richter and Anton...
The essay focuses on the friendship and collaborative relationship between Heinrich Böll and the fou...
Rainbird's essay provides a narrative of Richter's artistic development and influences. Germer asses...
Nasgaard's essay divides Richter's paintings into figurative, constructive and abstract "periods" de...
This dissertation investigates the early career of Gerhard Richter. Born in 1932 in Dresden, the art...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Ritchie examines one of Richter's photo paintings in the context of his influences and multiple styl...
A Companion to Modern Art presents a series of original essays by international and interdisciplinar...
From the artist’s very first photo-paintings to the most recent abstracts, landscape has been an omn...
Cork traves the precedents - previous work, photographic influence, personal and political history -...
The article discusses issues of traumatic memory and their relationship to contemporary art, focusin...
Gerhard Richter’s Atlas is a collection of photographs and sketches that the artist started to assem...
This chapter is concerned with the continuation of the practice of painting in Eurpe and the USA in ...
In 1988, Gerhard Richter completed 18. Oktober 1977, the controversial fifteen-painting cycle that d...
textOn October 11, 1963, artists Gerhard Richter and Konrad Lueg held the event “Leben mit Pop: Eine...
This essay explores several paintings produced by the contemporary artists Gerhard Richter and Anton...
The essay focuses on the friendship and collaborative relationship between Heinrich Böll and the fou...