Add to ORKGIn a reprinted text, Fry considers the connections between Collyer's sculptural works and the tenets of Minimalism and Formalism. Biographical notes. 4 bibl. ref
The Ends of Collage is an attempt to reflect on the physical place where collage fulfils its calling...
Emphasizing the diversity of twentieth-century collage practices, Rona Cran’s book explores the role...
A commitment to formalism, and the continued importance of modernist theory is discussed with regard...
Critically annotated catalogue entries describe in detail Collyer's installations produced between 1...
In the first volume, Monk's retrospective analysis of Collyer's production examines the semiotic ope...
Placing the artists' works in a minimalist vein, Jenkner focuses on their sculptures as metaphors fo...
Comparing Kolisnyk's work to constructivism and minimalism, Nasgaard describes the artist's use of m...
This catalogue accompanies an exhibition of Collyer’s photographic work produced over a period of 30...
A series of ten photographs made by Robin Collyer subtly responds to a private commission in memory ...
Metcalfe considers Collyer’s work as commenting on gender and its relation to domesticity. On the ar...
A reappraisal of Minimalism from a contemporary perspective, this book documents the careers of its ...
Beesley traces the development of Seelig's work, elaborating on the artist's commitment to formal ab...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
Shuebrook situates the artists' work within a formalist aesthetic tradition while enumerating the in...
Robert Morris : from the Minimal works to the Felts. Robert Morris’s very diversified activity poss...
The Ends of Collage is an attempt to reflect on the physical place where collage fulfils its calling...
Emphasizing the diversity of twentieth-century collage practices, Rona Cran’s book explores the role...
A commitment to formalism, and the continued importance of modernist theory is discussed with regard...
Critically annotated catalogue entries describe in detail Collyer's installations produced between 1...
In the first volume, Monk's retrospective analysis of Collyer's production examines the semiotic ope...
Placing the artists' works in a minimalist vein, Jenkner focuses on their sculptures as metaphors fo...
Comparing Kolisnyk's work to constructivism and minimalism, Nasgaard describes the artist's use of m...
This catalogue accompanies an exhibition of Collyer’s photographic work produced over a period of 30...
A series of ten photographs made by Robin Collyer subtly responds to a private commission in memory ...
Metcalfe considers Collyer’s work as commenting on gender and its relation to domesticity. On the ar...
A reappraisal of Minimalism from a contemporary perspective, this book documents the careers of its ...
Beesley traces the development of Seelig's work, elaborating on the artist's commitment to formal ab...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
Shuebrook situates the artists' work within a formalist aesthetic tradition while enumerating the in...
Robert Morris : from the Minimal works to the Felts. Robert Morris’s very diversified activity poss...
The Ends of Collage is an attempt to reflect on the physical place where collage fulfils its calling...
Emphasizing the diversity of twentieth-century collage practices, Rona Cran’s book explores the role...
A commitment to formalism, and the continued importance of modernist theory is discussed with regard...