Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec, notably the Automatistes and Prisme d'Yeux. Brief discussion on the work of eight painters
Cloutier-Cournoyer describes the evolution of new forms in tapestry, the emergence of the medium in ...
Tétreault traces the development of the gallery Michel Tétrault Art Contemporain in Montréal from it...
Robert briefly illustrates the progress of visual arts in Montréal from 1940 according to the work o...
Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec,...
In an interview, Corbeil elaborates on the history and development of his collection of works from t...
The Québécois mythic characters of Arthur and Caillou la pierre provide the departure point for Lefe...
Thériault situates the exhibition historically while De Guise discusses individual works by 18 Québe...
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
For an exhibition of works by 35 Québec painters organized by a committee of students from McGill Un...
Grouping five abstract artists who explored the tactile quality of paint, Tamplin recounts the devel...
Catalogue to accompany an exhibition of photographs representing Quebec culture from the 1940s throu...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
While Crépeau summarizes the various research procedures used to produce the exhibition, three autho...
Painting in France (1945-1960), Etienne Fouilloux. The 1950s witness the triumph of abstract art. Un...
Catalogue documenting an exhibition presented during the Montreal Olympic Games, presented concurren...
Cloutier-Cournoyer describes the evolution of new forms in tapestry, the emergence of the medium in ...
Tétreault traces the development of the gallery Michel Tétrault Art Contemporain in Montréal from it...
Robert briefly illustrates the progress of visual arts in Montréal from 1940 according to the work o...
Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec,...
In an interview, Corbeil elaborates on the history and development of his collection of works from t...
The Québécois mythic characters of Arthur and Caillou la pierre provide the departure point for Lefe...
Thériault situates the exhibition historically while De Guise discusses individual works by 18 Québe...
Davis examines Quebec art in the 1940s and 1950s, outlining the evolution of the Automatistes and th...
For an exhibition of works by 35 Québec painters organized by a committee of students from McGill Un...
Grouping five abstract artists who explored the tactile quality of paint, Tamplin recounts the devel...
Catalogue to accompany an exhibition of photographs representing Quebec culture from the 1940s throu...
Entre mai 1944 et janvier 1945, les quatre principaux musées d’art du Canada réunissent toutes leurs...
While Crépeau summarizes the various research procedures used to produce the exhibition, three autho...
Painting in France (1945-1960), Etienne Fouilloux. The 1950s witness the triumph of abstract art. Un...
Catalogue documenting an exhibition presented during the Montreal Olympic Games, presented concurren...
Cloutier-Cournoyer describes the evolution of new forms in tapestry, the emergence of the medium in ...
Tétreault traces the development of the gallery Michel Tétrault Art Contemporain in Montréal from it...
Robert briefly illustrates the progress of visual arts in Montréal from 1940 according to the work o...