Add to ORKGHarrison contextualizes the work of the cooperative project "Art-Language" from its inception in 1968 to 1989; his critical text addresses a range of questions surrounding recent art theory and practice, and the problems of modern art history and criticism, referencing specific works from the modernist canon. Includes a comprehensive examination of conceptual art. Circa 200 bibl. ref
textThis dissertation examines how and why written information in a visual context as well as variou...
Contemporary artistic and avantgarde literary practice, especially where it belongs to the tradition...
Published under the name of Art & Language, the article takes issue with prevailing accounts of the ...
Harrison contextualizes the work of the cooperative project "Art-Language" from its inception in 196...
Harrison traces the continuity of Art & Language's collaborative practice between 1968 and 1987, emp...
Harrison traces the continuity of Art & Language's collaborative practice between 1968 and 1987, emp...
The history of Post-Object art can be dated from about 1966. The term Post-Object describes two cla...
Commenting on a selection of works (1968-1992) produced by Art & Language, Wood examines the group's...
In Volume 2, essayists and critics examine both the output and the wider context of modern art, theo...
In the premier issue of this periodical's new series, Wood's comprehensive essay employs exchanges b...
My dissertation reassesses the role conceptual art played amidst the transition from modern to conte...
My dissertation reassesses the role conceptual art played amidst the transition from modern to conte...
In May 1969, Charles Harrison reviewed Morris Louis’ exhibition at the Waddington Galleries in Londo...
Underlining the difficulties of Art & Language's extremist interpretation of the causes and effects ...
Underlining the difficulties of Art & Language's extremist interpretation of the causes and effects ...
textThis dissertation examines how and why written information in a visual context as well as variou...
Contemporary artistic and avantgarde literary practice, especially where it belongs to the tradition...
Published under the name of Art & Language, the article takes issue with prevailing accounts of the ...
Harrison contextualizes the work of the cooperative project "Art-Language" from its inception in 196...
Harrison traces the continuity of Art & Language's collaborative practice between 1968 and 1987, emp...
Harrison traces the continuity of Art & Language's collaborative practice between 1968 and 1987, emp...
The history of Post-Object art can be dated from about 1966. The term Post-Object describes two cla...
Commenting on a selection of works (1968-1992) produced by Art & Language, Wood examines the group's...
In Volume 2, essayists and critics examine both the output and the wider context of modern art, theo...
In the premier issue of this periodical's new series, Wood's comprehensive essay employs exchanges b...
My dissertation reassesses the role conceptual art played amidst the transition from modern to conte...
My dissertation reassesses the role conceptual art played amidst the transition from modern to conte...
In May 1969, Charles Harrison reviewed Morris Louis’ exhibition at the Waddington Galleries in Londo...
Underlining the difficulties of Art & Language's extremist interpretation of the causes and effects ...
Underlining the difficulties of Art & Language's extremist interpretation of the causes and effects ...
textThis dissertation examines how and why written information in a visual context as well as variou...
Contemporary artistic and avantgarde literary practice, especially where it belongs to the tradition...
Published under the name of Art & Language, the article takes issue with prevailing accounts of the ...