Add to ORKGGale and Morishita characterize independent video art in Canada through a discussion of Canadian identity and a review of the works of 15 artists. 1 bibl. ref
In this media kit, Gale presents Canadian art in the 1970s through the work of individual artists. F...
Nor is a portable exhibition in which twenty Canadian artists and eight writers are invited to embod...
Catalogue of available art videos by mainly Western Canadian video artists. Includes one-sheets on e...
Gale and Morishita characterize independent video art in Canada through a discussion of Canadian ide...
For a travelling exhibition of recent Québec and Canadian work, the authors trace the evolution of i...
A major anthology published on the occasion of the video programme “Magnetic North” (2000), a cross-...
Dunn describes the conceptual, performance, synaesthetic and experiential elements of video while Ga...
Ditta briefly outlines the history of video by artists and its' problematic relation to both art and...
According to the authors, five Canadian video art productions, intended both for television broadcas...
Videos dating from the 1970's and produced by 27 artists from the United States and Canada have been...
Referring to spectacle, mass media, representation, seduction, modernism, and post modernism, the au...
Brown offers a brief history of video as an artistic practice concentrating on the biographies of si...
Referring to representation, authorship, audience response, and mass media, Tooby examines the work ...
Produced for the festival's 10th edition, this catalogue documents works by six installation artists...
The authors examine eight Canadian filmmakers' work, ideas, and film strategies. 3 bibl. ref
In this media kit, Gale presents Canadian art in the 1970s through the work of individual artists. F...
Nor is a portable exhibition in which twenty Canadian artists and eight writers are invited to embod...
Catalogue of available art videos by mainly Western Canadian video artists. Includes one-sheets on e...
Gale and Morishita characterize independent video art in Canada through a discussion of Canadian ide...
For a travelling exhibition of recent Québec and Canadian work, the authors trace the evolution of i...
A major anthology published on the occasion of the video programme “Magnetic North” (2000), a cross-...
Dunn describes the conceptual, performance, synaesthetic and experiential elements of video while Ga...
Ditta briefly outlines the history of video by artists and its' problematic relation to both art and...
According to the authors, five Canadian video art productions, intended both for television broadcas...
Videos dating from the 1970's and produced by 27 artists from the United States and Canada have been...
Referring to spectacle, mass media, representation, seduction, modernism, and post modernism, the au...
Brown offers a brief history of video as an artistic practice concentrating on the biographies of si...
Referring to representation, authorship, audience response, and mass media, Tooby examines the work ...
Produced for the festival's 10th edition, this catalogue documents works by six installation artists...
The authors examine eight Canadian filmmakers' work, ideas, and film strategies. 3 bibl. ref
In this media kit, Gale presents Canadian art in the 1970s through the work of individual artists. F...
Nor is a portable exhibition in which twenty Canadian artists and eight writers are invited to embod...
Catalogue of available art videos by mainly Western Canadian video artists. Includes one-sheets on e...