Koehler-Vandergraaf assesses Zwicker's long career as an artist in Nova Scotia by examining watercolours executed between 1940 and 1991. The author divides these into the categories of landscape, flower painting and still-lifes. Biographical notes. 1 bibl. ref
Sparling notes questions raised by the exhibition of works by 23 Nova Scotia artists. Statement by s...
Koehler-Vandergraaf briefly delineates the historic, feminist and native themes in McIntyre's colour...
Amundson traces the development of Kowalsky's paintings and of her expressive use of materials and s...
Christie examines different historical periods in watercolour painting in Saskatchewan since the for...
Biographical texts on the development of two artists whose work, through modelmaking and watercolour...
Robson inscribes works by 20 early Nova Scotian women painters within the context of a collector's y...
Brandon describes Rutherford's rich watercolours of land and seascapes, as well as the artist's work...
Following a brief biography and a description of her landscapes in watercolour, Reed describes her i...
Stebbins considers the life and work of the watercolour painter; McCaugherty provides an explanatory...
Profile of artist Marguerite Thompson Zorach (1887-1968), wife of renowned sculptor William Zorach. ...
Chagnon briefly surveys Rosshandler's artistic development over twenty years, noting her transition ...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
Monograph on the life and work of Canadian West folk painter Wyers. Extensive documentation of exhib...
Broadsheet documenting an exhibition of paintings and serigraphs by New Brunswick artist Cormier Spl...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...
Sparling notes questions raised by the exhibition of works by 23 Nova Scotia artists. Statement by s...
Koehler-Vandergraaf briefly delineates the historic, feminist and native themes in McIntyre's colour...
Amundson traces the development of Kowalsky's paintings and of her expressive use of materials and s...
Christie examines different historical periods in watercolour painting in Saskatchewan since the for...
Biographical texts on the development of two artists whose work, through modelmaking and watercolour...
Robson inscribes works by 20 early Nova Scotian women painters within the context of a collector's y...
Brandon describes Rutherford's rich watercolours of land and seascapes, as well as the artist's work...
Following a brief biography and a description of her landscapes in watercolour, Reed describes her i...
Stebbins considers the life and work of the watercolour painter; McCaugherty provides an explanatory...
Profile of artist Marguerite Thompson Zorach (1887-1968), wife of renowned sculptor William Zorach. ...
Chagnon briefly surveys Rosshandler's artistic development over twenty years, noting her transition ...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
Monograph on the life and work of Canadian West folk painter Wyers. Extensive documentation of exhib...
Broadsheet documenting an exhibition of paintings and serigraphs by New Brunswick artist Cormier Spl...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...
Sparling notes questions raised by the exhibition of works by 23 Nova Scotia artists. Statement by s...
Koehler-Vandergraaf briefly delineates the historic, feminist and native themes in McIntyre's colour...
Amundson traces the development of Kowalsky's paintings and of her expressive use of materials and s...