Add to ORKGGutnick and Perkes liken Létourneau's painting to an archeology of pictorial material. Biographical notes
Collection : Portrait Ancien d'Alsace ; 88-806Collection : Portrait Ancien d'Alsace ; 88-806Appartie...
During her stay in Paris, Paula Modersohn-Becker regularly visited Louvre. There, she gradually crea...
Considering the artist's investigation of perceptual and mnemonic mechanisms, Gagnon comments on Rea...
Gutnick and Perkes liken Létourneau's painting to an archeology of pictorial material. Biographical ...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Daigneault considers the narrative strategies, anecdotal elements, and pictorial fictions that chara...
Gravel summarizes the evolution of Drouin’s development as a painter, dicussing her influences, affi...
The author relates Gérin's folded canvas paintings to the artist's studio. Biographical notes
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Robin Françoise. Anne Courtillé, Histoire de la peinture murale dans l'Auvergne du Moyen Age. . In: ...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Teyssèdre traces Barbeau's painting career, referring to the influence of Borduas and automatism, Ac...
Collection : Portrait Ancien d'Alsace ; 90-889Collection : Portrait Ancien d'Alsace ; 90-889Appartie...
Wilkin discerns evidence of an emerging Toronto style in her discussion of the formal aspects of pai...
Collection : Portrait Ancien d'Alsace ; 88-806Collection : Portrait Ancien d'Alsace ; 88-806Appartie...
During her stay in Paris, Paula Modersohn-Becker regularly visited Louvre. There, she gradually crea...
Considering the artist's investigation of perceptual and mnemonic mechanisms, Gagnon comments on Rea...
Gutnick and Perkes liken Létourneau's painting to an archeology of pictorial material. Biographical ...
Gagnon examines the sculptor's work from 1969 to 1993, discussing techniques and use of materials, a...
Discussing both figuration and painting in Québec, Payant analyses Levasseur's work in terms of surf...
Daigneault considers the narrative strategies, anecdotal elements, and pictorial fictions that chara...
Gravel summarizes the evolution of Drouin’s development as a painter, dicussing her influences, affi...
The author relates Gérin's folded canvas paintings to the artist's studio. Biographical notes
Godmer writes the history of the anthropomorphic figure in Levasseur's work, observing its plastic a...
Robin Françoise. Anne Courtillé, Histoire de la peinture murale dans l'Auvergne du Moyen Age. . In: ...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Teyssèdre traces Barbeau's painting career, referring to the influence of Borduas and automatism, Ac...
Collection : Portrait Ancien d'Alsace ; 90-889Collection : Portrait Ancien d'Alsace ; 90-889Appartie...
Wilkin discerns evidence of an emerging Toronto style in her discussion of the formal aspects of pai...
Collection : Portrait Ancien d'Alsace ; 88-806Collection : Portrait Ancien d'Alsace ; 88-806Appartie...
During her stay in Paris, Paula Modersohn-Becker regularly visited Louvre. There, she gradually crea...
Considering the artist's investigation of perceptual and mnemonic mechanisms, Gagnon comments on Rea...