Add to ORKGBoulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist. Biographical notes
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Dahle focuses on the non-representational aspects of Bruning's paintings and Zamkotowich's sculptura...
Boulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist...
Boulet notes the narrative context in Granirer's work and the artist elaborates on the sources and m...
Boulet elaborates on farming in relation to Michener's farm paintings. Artist's statement. Biographi...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
The author notes Barbier-Dorrance's use of materials, images and mood in her drawings and clay sculp...
Moore's abstract paintings are related to her interest in gesture, sensitive color relations and mov...
Friis-Hansen emphasizes aesthetic aspects of the process of painting in Purdum's abstract works. Inc...
Farr describes Mohr's abstract paintings from 1955 to 1985, with reference to her working methods an...
Lawlor describes Nickerson's abstract paintings, referring to his spirituality and his use of visual...
Pitre explains how Goguen incorporates optical phenomena into his abstract paintings. Includes a sta...
The author relates Gérin's folded canvas paintings to the artist's studio. Biographical notes
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Dahle focuses on the non-representational aspects of Bruning's paintings and Zamkotowich's sculptura...
Boulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist...
Boulet notes the narrative context in Granirer's work and the artist elaborates on the sources and m...
Boulet elaborates on farming in relation to Michener's farm paintings. Artist's statement. Biographi...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
The author notes Barbier-Dorrance's use of materials, images and mood in her drawings and clay sculp...
Moore's abstract paintings are related to her interest in gesture, sensitive color relations and mov...
Friis-Hansen emphasizes aesthetic aspects of the process of painting in Purdum's abstract works. Inc...
Farr describes Mohr's abstract paintings from 1955 to 1985, with reference to her working methods an...
Lawlor describes Nickerson's abstract paintings, referring to his spirituality and his use of visual...
Pitre explains how Goguen incorporates optical phenomena into his abstract paintings. Includes a sta...
The author relates Gérin's folded canvas paintings to the artist's studio. Biographical notes
The authors describe the development of the Belgian painter's ideas and work in relation to other ab...
The author describes Templeman's painting as being informed by the theories of Abstract Expressionis...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Dahle focuses on the non-representational aspects of Bruning's paintings and Zamkotowich's sculptura...