Add to ORKGThree essays approach Bélanger's video and light-box installations through the concepts of place, the body, representation and the gaze: Kivland juxtaposes narrative and description, Thériault analyses individual work, while Attali examines vision and the computer-generated image. Biographical notes. 22 bibl. ref
Two texts examine notions of transparency, memory, and the space between meaning and musicality in F...
The artist traces the progression of her production and the correlations to her study of Buddhism an...
Godmer provides a detailed description of Viger’s installation based on the theme of taste. He under...
Three essays approach Bélanger's video and light-box installations through the concepts of place, th...
In an analysis of the fluid nature of notions surrounding architecture, history, and time, Kivland p...
In an interview with Ross, Bélanger draws parallels between cartography and the human body, and evok...
Investigating aspects of the relationship betwenn the body and technology, three authors provide an ...
Marchessault considers place, its translation to "locatedness," dislocation, and television as an er...
Catalogue to accompany Pelletier’s video installation based on the myth of Perseus and Medusa. Ismer...
Three authors analyze the work of this Montreal-based artist, in particular a video installation ent...
In honour of Tourangeau’s 20-year practice, this catalogue documents an exhibition comprised of “dyn...
Rehm considers aspects of promise, the gaze, voyeurism, power, and the spectacle in examining Bloche...
This catalogue documents two projects produced in Germany by Montreal artist de Broin. Joss comments...
Déry analyses Kivland’s installation using a vocabulary normally used to describe perfumes. The auth...
This essay relates to my writings recently published in the monograph Mission Reports – Artistic pra...
Two texts examine notions of transparency, memory, and the space between meaning and musicality in F...
The artist traces the progression of her production and the correlations to her study of Buddhism an...
Godmer provides a detailed description of Viger’s installation based on the theme of taste. He under...
Three essays approach Bélanger's video and light-box installations through the concepts of place, th...
In an analysis of the fluid nature of notions surrounding architecture, history, and time, Kivland p...
In an interview with Ross, Bélanger draws parallels between cartography and the human body, and evok...
Investigating aspects of the relationship betwenn the body and technology, three authors provide an ...
Marchessault considers place, its translation to "locatedness," dislocation, and television as an er...
Catalogue to accompany Pelletier’s video installation based on the myth of Perseus and Medusa. Ismer...
Three authors analyze the work of this Montreal-based artist, in particular a video installation ent...
In honour of Tourangeau’s 20-year practice, this catalogue documents an exhibition comprised of “dyn...
Rehm considers aspects of promise, the gaze, voyeurism, power, and the spectacle in examining Bloche...
This catalogue documents two projects produced in Germany by Montreal artist de Broin. Joss comments...
Déry analyses Kivland’s installation using a vocabulary normally used to describe perfumes. The auth...
This essay relates to my writings recently published in the monograph Mission Reports – Artistic pra...
Two texts examine notions of transparency, memory, and the space between meaning and musicality in F...
The artist traces the progression of her production and the correlations to her study of Buddhism an...
Godmer provides a detailed description of Viger’s installation based on the theme of taste. He under...