Add to ORKGWilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refined his abstract vocabulary. Biographical notes. 8 bibl. ref
Wilkin discusses the abstract forms in Fauteux's steel and wood sculptures. Biographical notes. 40 b...
The Agnes Etherington Art Gallery presents acrylic paintings by Lindzon executed over ten years (197...
According to the author, Perreault uses photographs of everyday things as a basis for his representa...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Grenville defines Perehudoff's work in the 1960s as representative of the shift from reference-based...
Tousley recounts Perehudoff's career from its beginnings in 1945 to the 1960s, examining his early t...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
Outlining Drapell's life, Wilkin discusses the development of the artist's work and visual vocabular...
Wilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1...
Wilkin traces colour-field painter Feist's career from 1971 to 1980, quoting frequently from the art...
Wilkin's analysis of Gauvreau's works is preceded by a description of artistic influences and moveme...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Wilkin briefly describes the transformations which took place in Drouin's painting between 1972 and ...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Wilkin discusses the abstract forms in Fauteux's steel and wood sculptures. Biographical notes. 40 b...
The Agnes Etherington Art Gallery presents acrylic paintings by Lindzon executed over ten years (197...
According to the author, Perreault uses photographs of everyday things as a basis for his representa...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
Grenville defines Perehudoff's work in the 1960s as representative of the shift from reference-based...
Tousley recounts Perehudoff's career from its beginnings in 1945 to the 1960s, examining his early t...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
Outlining Drapell's life, Wilkin discusses the development of the artist's work and visual vocabular...
Wilkin traces formal transformations in Haynes' abstract paintings from the late 1960s through the 1...
Wilkin traces colour-field painter Feist's career from 1971 to 1980, quoting frequently from the art...
Wilkin's analysis of Gauvreau's works is preceded by a description of artistic influences and moveme...
Wilkin contrasts Drouin's earlier clean-edged abstract works with her recent paintings where a playf...
Wilkin briefly describes the transformations which took place in Drouin's painting between 1972 and ...
Davis traces the development of Barbeau's abstract, gestural painting from 1957 to 1989. Biographica...
Wilkin discusses the abstract forms in Fauteux's steel and wood sculptures. Biographical notes. 40 b...
The Agnes Etherington Art Gallery presents acrylic paintings by Lindzon executed over ten years (197...
According to the author, Perreault uses photographs of everyday things as a basis for his representa...