Add to ORKGThe authors examine the use, by artists, of telecommunications (fax, slow-scan television, satellite and computers), emphasizing the dispersed authorship and decentralizing, interactive nature of expression which they provide. Issues of access and funding are discussed. Includes documentation of artists' projects. 39 bibl. ref
textThis study examines the effects of the Internet on an international community of artists who ha...
Internet artwork no longer refers to the concept of a finalized object, but rather to a dynamic proc...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...
open access articleThe paper presents a personal history of making machines as artworks. The particu...
Differing in format, eight texts elaborate on various topics related to technology and culture, incl...
De nombreux artistes accoutumés aux technologies audiovisuelles d'enregistrement du...
In this ground-breaking look at a new art genre, Transmission Arts: Artists and Airwaves brings toge...
Internet artwork no longer refers to the concept of a finalized object, but rather to a dynamic proc...
"In this volume, international artists, media theorists, art historians, and curators explore histor...
The origins of the Internet can be found in the early 1960s but the first working version of ARPANET...
Telematic music is a little-known sub-genre of telematic art and a new phenomenon in the world of mu...
The 'Internet Arts' are a new field that has emerged from the new media revolution. There are many ...
The paper first discusses early work that predated internet art and that was concerned with active a...
Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and t...
Digital technologies have become ostensibly ubiquitous and highly expressive over the last 15 years....
textThis study examines the effects of the Internet on an international community of artists who ha...
Internet artwork no longer refers to the concept of a finalized object, but rather to a dynamic proc...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...
open access articleThe paper presents a personal history of making machines as artworks. The particu...
Differing in format, eight texts elaborate on various topics related to technology and culture, incl...
De nombreux artistes accoutumés aux technologies audiovisuelles d'enregistrement du...
In this ground-breaking look at a new art genre, Transmission Arts: Artists and Airwaves brings toge...
Internet artwork no longer refers to the concept of a finalized object, but rather to a dynamic proc...
"In this volume, international artists, media theorists, art historians, and curators explore histor...
The origins of the Internet can be found in the early 1960s but the first working version of ARPANET...
Telematic music is a little-known sub-genre of telematic art and a new phenomenon in the world of mu...
The 'Internet Arts' are a new field that has emerged from the new media revolution. There are many ...
The paper first discusses early work that predated internet art and that was concerned with active a...
Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and t...
Digital technologies have become ostensibly ubiquitous and highly expressive over the last 15 years....
textThis study examines the effects of the Internet on an international community of artists who ha...
Internet artwork no longer refers to the concept of a finalized object, but rather to a dynamic proc...
"Acoustic signals, voice, sound, articulation, music, and spatial networking are dispositifs of radi...