Add to ORKGTousley analyses Corman's photographs, his use of found snapshot images, and his strategies of selection, juxtaposition and enlargement. Biographical notes. 3 bibl. ref
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
Tousley's interpretation of Cran's paintings refers to the history of modernist abstraction and the ...
Tousley analyses Corman's photographs, his use of found snapshot images, and his strategies of selec...
Miller presents Corman as an "archivist of the vernacular" and stresses the theatrical dimensions re...
Borcoman discusses Lyons' photographs and his approach to the images in relation to the function of ...
The way Wegman's photographs use popular culture and humour to address the function of art and of th...
Antaki highlights Farley's interest in the relation between the process of photography and the authe...
Chevrier comments on British photographer Coplans' process, and in particular uncovers the sequence ...
Noting various historical framing conventions, Gale describes Cohn's development of a non-verbal nar...
Hanhardt delineates filmic devices used in Gehr's films such as the use of found footage, superimpos...
The large-format portraits featured in the exhibition »Inwards and Onwards« testify to the substanti...
Burnett traces Colville's career, demonstrating how his paintings and prints combine the distance of...
Haggerty discerns the art historical referents in Ross' photographs taken with a plastic camera. Kli...
Asselin examines Pellegrinuzzi's use of framing and fragmentation, in order to explore the physical ...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
Tousley's interpretation of Cran's paintings refers to the history of modernist abstraction and the ...
Tousley analyses Corman's photographs, his use of found snapshot images, and his strategies of selec...
Miller presents Corman as an "archivist of the vernacular" and stresses the theatrical dimensions re...
Borcoman discusses Lyons' photographs and his approach to the images in relation to the function of ...
The way Wegman's photographs use popular culture and humour to address the function of art and of th...
Antaki highlights Farley's interest in the relation between the process of photography and the authe...
Chevrier comments on British photographer Coplans' process, and in particular uncovers the sequence ...
Noting various historical framing conventions, Gale describes Cohn's development of a non-verbal nar...
Hanhardt delineates filmic devices used in Gehr's films such as the use of found footage, superimpos...
The large-format portraits featured in the exhibition »Inwards and Onwards« testify to the substanti...
Burnett traces Colville's career, demonstrating how his paintings and prints combine the distance of...
Haggerty discerns the art historical referents in Ross' photographs taken with a plastic camera. Kli...
Asselin examines Pellegrinuzzi's use of framing and fragmentation, in order to explore the physical ...
The author describes Prince's re-photographing and juxtaposing of images taken from magazines in ord...
Poser considers the implications of simultaneous multiple representations in Wood's photographic com...
Tousley's interpretation of Cran's paintings refers to the history of modernist abstraction and the ...