Add to ORKGThe authors examine the role of the artist as an active participant in society, who counters the empty rhetoric of power by representing it critically. Includes references to conceptual art, public art, the Other, and the spectacle, as well as interviews between Bruce Ferguson and the 20 artists in exhibition. Circa 80 bibl. ref
The artists in 74 million million million tons contribute to and corroborate accounts of significant...
Friedman sketches on the theme of artist as potential catalyst of social and political change. Berko...
Transformations of the contemporary world have changed the artist’s work, therefore the artist’s ima...
The authors examine the role of the artist as an active participant in society, who counters the emp...
The notion that art, like science, contributes to scholarly discourse remains a contentious issue in...
This special themed issue, published over two consecutive issues of Critical Arts (October and Decem...
The balance of the world has been built on various empires, kingdoms, civilizations and economic sys...
In his germinal essay, “Constitutive Rhetoric: The Case of the Peuple Québécois,” Maurice Charland p...
The questions this thesis sought to answer are: How do artists perceive themselves as visual communi...
Originally I looked to curatorial practices to investigate the theme of \u27word and image\u27 due t...
This book offers trans-historical and trans-national perspectives on the image of “the artist” as a ...
Different media outlets are merely a tool of artists for visualization of conceptual ideas of self-r...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
In The representation of the audiences after 1960, the question is asked whether we can consider the...
The volume examines aesthetic disruptions within the various arts in contemporary culture. It assume...
The artists in 74 million million million tons contribute to and corroborate accounts of significant...
Friedman sketches on the theme of artist as potential catalyst of social and political change. Berko...
Transformations of the contemporary world have changed the artist’s work, therefore the artist’s ima...
The authors examine the role of the artist as an active participant in society, who counters the emp...
The notion that art, like science, contributes to scholarly discourse remains a contentious issue in...
This special themed issue, published over two consecutive issues of Critical Arts (October and Decem...
The balance of the world has been built on various empires, kingdoms, civilizations and economic sys...
In his germinal essay, “Constitutive Rhetoric: The Case of the Peuple Québécois,” Maurice Charland p...
The questions this thesis sought to answer are: How do artists perceive themselves as visual communi...
Originally I looked to curatorial practices to investigate the theme of \u27word and image\u27 due t...
This book offers trans-historical and trans-national perspectives on the image of “the artist” as a ...
Different media outlets are merely a tool of artists for visualization of conceptual ideas of self-r...
In the presentation issue of the Journal –Images think, thinking with images– we intend to define th...
In The representation of the audiences after 1960, the question is asked whether we can consider the...
The volume examines aesthetic disruptions within the various arts in contemporary culture. It assume...
The artists in 74 million million million tons contribute to and corroborate accounts of significant...
Friedman sketches on the theme of artist as potential catalyst of social and political change. Berko...
Transformations of the contemporary world have changed the artist’s work, therefore the artist’s ima...