White emphasizes the shared artistic discoveries which resulted from the collaboration in making lithographs of Bates, Smylie and Snow. Biographical notes
Artists have long been drawn to Maine by the state\u27s qualities of sharing and independence. Incl...
In interview, Freifeld describes his career as an artist and as a teacher. Shadbolt reminisces about...
Hirsch and Murray comment on the development and originality of Eyre's painting, underlining his com...
White emphasizes the shared artistic discoveries which resulted from the collaboration in making lit...
Outlining the development of Smylie's work, Murray focuses on his use of lithography and his recent ...
Townsend discusses the development of Bates' landscapes and his ongoing commitment to the ideas of c...
For nearly a century, children have been enchanted by the picture books of Berta and Elmer Hader wit...
Gale discusses works by Snow, Weiner and Nannucci, artists she considers representative of the Art M...
Illustrating the links between folk and contemporary art in Western Canada, Ring parallels Saskatche...
Article about the meeting of two geniuses on Mount Desert Island in the summer of 1897, when Thomas ...
Examining the artist's landscape and portrait photographic series, Langford establishes a close rela...
First year Art students, circa 1959. Left to right: Keith McMenomy; Allan Stomann; David Barrett and...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
First year Art students, 1959. Left to right: Keith McMenomy; Allan Stomann; David Barrett and Robin...
Moppett and Bell discuss landscape painting, still-life and photography. Biographical notes
Artists have long been drawn to Maine by the state\u27s qualities of sharing and independence. Incl...
In interview, Freifeld describes his career as an artist and as a teacher. Shadbolt reminisces about...
Hirsch and Murray comment on the development and originality of Eyre's painting, underlining his com...
White emphasizes the shared artistic discoveries which resulted from the collaboration in making lit...
Outlining the development of Smylie's work, Murray focuses on his use of lithography and his recent ...
Townsend discusses the development of Bates' landscapes and his ongoing commitment to the ideas of c...
For nearly a century, children have been enchanted by the picture books of Berta and Elmer Hader wit...
Gale discusses works by Snow, Weiner and Nannucci, artists she considers representative of the Art M...
Illustrating the links between folk and contemporary art in Western Canada, Ring parallels Saskatche...
Article about the meeting of two geniuses on Mount Desert Island in the summer of 1897, when Thomas ...
Examining the artist's landscape and portrait photographic series, Langford establishes a close rela...
First year Art students, circa 1959. Left to right: Keith McMenomy; Allan Stomann; David Barrett and...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
First year Art students, 1959. Left to right: Keith McMenomy; Allan Stomann; David Barrett and Robin...
Moppett and Bell discuss landscape painting, still-life and photography. Biographical notes
Artists have long been drawn to Maine by the state\u27s qualities of sharing and independence. Incl...
In interview, Freifeld describes his career as an artist and as a teacher. Shadbolt reminisces about...
Hirsch and Murray comment on the development and originality of Eyre's painting, underlining his com...