Kelly situates Shuebrook's work in relation to the formal and spiritual aspects of Abstract Expressionism and examines the works' iconography and references. Biographical notes. 2 bibl. ref
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Murchie notes the recent shift in Butler's work from a focus on aspects of war to the more positive ...
Burnett examines the place of contemporary sculpture. Arguing that Thibert's work addresses the cond...
Kelly situates Shuebrook's work in relation to the formal and spiritual aspects of Abstract Expressi...
Wilkin discusses the development of Shuebrook's work and his abstract exploration of line, color and...
In an interview with Leighton, Shuebrook addresses varied subjects, from the sources of abstraction ...
Paikowsky proposes a formal analysis of Shuebrook's work and points to some influences. She insists ...
With reference to incident and allusion in Shuebrook's abstract painting, Jenkner argues for a conti...
"This catalogue documents the more obvious aspects of my life and work. It isolates certain images a...
Shuebrook situates the artists' work within a formalist aesthetic tradition while enumerating the in...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
Shuebrook emphasizes the exploratory nature of Boucher's geometric paintings. The painter provides a...
Posner defines Kirkeby's paintings and drawings of the 1980s as gestural abstractions rooted in nort...
Stebbins defines the aims of figurative expressionist art and explores the images in Burnett's paint...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Murchie notes the recent shift in Butler's work from a focus on aspects of war to the more positive ...
Burnett examines the place of contemporary sculpture. Arguing that Thibert's work addresses the cond...
Kelly situates Shuebrook's work in relation to the formal and spiritual aspects of Abstract Expressi...
Wilkin discusses the development of Shuebrook's work and his abstract exploration of line, color and...
In an interview with Leighton, Shuebrook addresses varied subjects, from the sources of abstraction ...
Paikowsky proposes a formal analysis of Shuebrook's work and points to some influences. She insists ...
With reference to incident and allusion in Shuebrook's abstract painting, Jenkner argues for a conti...
"This catalogue documents the more obvious aspects of my life and work. It isolates certain images a...
Shuebrook situates the artists' work within a formalist aesthetic tradition while enumerating the in...
Document of an exhibition of ten abstract sculptures. After a brief introduction, Kline offers a for...
The author analyses Kostyniuk's constructed reliefs and their sources in nature and in early 20th ce...
Shuebrook emphasizes the exploratory nature of Boucher's geometric paintings. The painter provides a...
Posner defines Kirkeby's paintings and drawings of the 1980s as gestural abstractions rooted in nort...
Stebbins defines the aims of figurative expressionist art and explores the images in Burnett's paint...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
Murchie notes the recent shift in Butler's work from a focus on aspects of war to the more positive ...
Burnett examines the place of contemporary sculpture. Arguing that Thibert's work addresses the cond...