Add to ORKGVan Bruggen gives an overview of Baldessari's career, with reference to his conceptual works of the 1960s, his analysis of social codes in the 1970s and his psychological narratives of the 1980s. The artist's appropriation of imagery from sources in mass culture is emphasized. Includes a subject index and biographical notes. Circa 350 bibl. ref
Baster examines how Craven incorporated his abstract painting processes from the late 1970s into his...
Parent identifies a series of "transfers" that structure Oppenheim's conceptual work. In an intervie...
Curator Gresty assembles the work of 14 artists whose ideas in the 1960's pointed to a relationship ...
Van Bruggen gives an overview of Baldessari's career, with reference to his conceptual works of the ...
Visually, Baldessari’s art mirrors the schoolroom chart, the cinematic storyboard, the Surrealist co...
John Baldessari’s Blasted Allegories (1977-1978) represent a concerted reconsideration of the most a...
Artists John Baldessari’s, Andrea Fraser’s and Fred Wilson’s works are typically understood as insis...
In Sasha Grishin’s 2014 book, Australian art: a history, he begins his discussion of printmaker-scul...
Baldessari started to produce collages out of black-and-white movie stills in 1976. Even if his work...
Williams pays tribute to artist and writer Coosje van Bruggen, who died in 2009. Van Bruggen emerged...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
A retrospective of Hurtubise's work from the 1960s to the 1990s. While Graham gives a decade-by-deca...
Examining the origins and evolution of Pop Art in America, Great Britain, and continental Europe, th...
Grenville defines Perehudoff's work in the 1960s as representative of the shift from reference-based...
This thesis provides a historically contextual account of American conceptual art of the Sixties, ex...
Baster examines how Craven incorporated his abstract painting processes from the late 1970s into his...
Parent identifies a series of "transfers" that structure Oppenheim's conceptual work. In an intervie...
Curator Gresty assembles the work of 14 artists whose ideas in the 1960's pointed to a relationship ...
Van Bruggen gives an overview of Baldessari's career, with reference to his conceptual works of the ...
Visually, Baldessari’s art mirrors the schoolroom chart, the cinematic storyboard, the Surrealist co...
John Baldessari’s Blasted Allegories (1977-1978) represent a concerted reconsideration of the most a...
Artists John Baldessari’s, Andrea Fraser’s and Fred Wilson’s works are typically understood as insis...
In Sasha Grishin’s 2014 book, Australian art: a history, he begins his discussion of printmaker-scul...
Baldessari started to produce collages out of black-and-white movie stills in 1976. Even if his work...
Williams pays tribute to artist and writer Coosje van Bruggen, who died in 2009. Van Bruggen emerged...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
A retrospective of Hurtubise's work from the 1960s to the 1990s. While Graham gives a decade-by-deca...
Examining the origins and evolution of Pop Art in America, Great Britain, and continental Europe, th...
Grenville defines Perehudoff's work in the 1960s as representative of the shift from reference-based...
This thesis provides a historically contextual account of American conceptual art of the Sixties, ex...
Baster examines how Craven incorporated his abstract painting processes from the late 1970s into his...
Parent identifies a series of "transfers" that structure Oppenheim's conceptual work. In an intervie...
Curator Gresty assembles the work of 14 artists whose ideas in the 1960's pointed to a relationship ...