Add to ORKGTilroe examines the dichotomies in Richter's paintings between abstraction and figuration and between pictorial means and the subject. Buchloh, with reference to Habermas, questions the possibility of representing history, while analysing Richter's "October 18, 1977" series. Biographical notes. 7 bibl. ref
In 18.Oktober 1977 – a cycle of fifteen paintings about the German Autumn and the Baader-Meinhof Gan...
The article discusses issues of traumatic memory and their relationship to contemporary art, focusin...
Der Artikel enthält das Abstract ausschließlich in englischer Sprache.This article explores the rela...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Nasgaard's essay divides Richter's paintings into figurative, constructive and abstract "periods" de...
Ritchie examines one of Richter's photo paintings in the context of his influences and multiple styl...
Three writers consider Richter's painting production while insisting on the undecidable status that ...
Gerhard Richter’s Atlas is a collection of photographs and sketches that the artist started to assem...
With the cycle of photo-paintings entitled "18 October 1977" (1988), Gerhard Richter takes as his su...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...
Cork traves the precedents - previous work, photographic influence, personal and political history -...
This dissertation investigates the early career of Gerhard Richter. Born in 1932 in Dresden, the art...
From the artist’s very first photo-paintings to the most recent abstracts, landscape has been an omn...
In 1988, Gerhard Richter completed 18. Oktober 1977, the controversial fifteen-painting cycle that d...
UID/PAM/00417/2013Gerhard Richter’s Atlas is a collection of photographs and sketches that the artis...
In 18.Oktober 1977 – a cycle of fifteen paintings about the German Autumn and the Baader-Meinhof Gan...
The article discusses issues of traumatic memory and their relationship to contemporary art, focusin...
Der Artikel enthält das Abstract ausschließlich in englischer Sprache.This article explores the rela...
Tilroe examines the dichotomies in Richter's paintings between abstraction and figuration and betwee...
Nasgaard's essay divides Richter's paintings into figurative, constructive and abstract "periods" de...
Ritchie examines one of Richter's photo paintings in the context of his influences and multiple styl...
Three writers consider Richter's painting production while insisting on the undecidable status that ...
Gerhard Richter’s Atlas is a collection of photographs and sketches that the artist started to assem...
With the cycle of photo-paintings entitled "18 October 1977" (1988), Gerhard Richter takes as his su...
Abstract: This peer-reviewed paper looks at the different photographic appearances of Gerhard Richte...
Cork traves the precedents - previous work, photographic influence, personal and political history -...
This dissertation investigates the early career of Gerhard Richter. Born in 1932 in Dresden, the art...
From the artist’s very first photo-paintings to the most recent abstracts, landscape has been an omn...
In 1988, Gerhard Richter completed 18. Oktober 1977, the controversial fifteen-painting cycle that d...
UID/PAM/00417/2013Gerhard Richter’s Atlas is a collection of photographs and sketches that the artis...
In 18.Oktober 1977 – a cycle of fifteen paintings about the German Autumn and the Baader-Meinhof Gan...
The article discusses issues of traumatic memory and their relationship to contemporary art, focusin...
Der Artikel enthält das Abstract ausschließlich in englischer Sprache.This article explores the rela...