Lindberg traces Young's painting career between 1974 and 1984, emphasizing his transition from an eclectic postmodernism, which used appropriated images to analyse gender, to a re-examination of analytic cubism. Biographical notes. 39 bibl. ref
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
In the early 1970s, New York gallerist Louis K. Meisel devised a formal set of criteria to identify ...
Photographs, because of their chemical make up, are inherently unstable. The process of degradation ...
Lindberg traces Young's painting career between 1974 and 1984, emphasizing his transition from an ec...
Thom surveys Young's printmaking from 1963 to 1981, focusing on the use of art historical sources. B...
Lindberg traces Avery's career, emphasizing the influence of European fauvists, his empirical analys...
Lindberg surveys Benjamin's career focusing on his abstract paintings from 1977 to 1985 which, he as...
Comparing the practice of abstraction in Toronto to that in Montréal, Nasgaard dates the beginning o...
The Agnes Etherington Art Gallery presents acrylic paintings by Lindzon executed over ten years (197...
Lindberg laments the status of painting in the era of postmodernism, while reviewing the development...
Highlighting Young's antagonism towards theorization, Laurence offers an extensive analysis of "Tart...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Noting the emergence of a surrealist element in paintings executed from 1989 to 1990, Shadbolt descr...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
Bovey and Tippett provide an introduction to Koerner's life and work, using the artist's diaries and...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
In the early 1970s, New York gallerist Louis K. Meisel devised a formal set of criteria to identify ...
Photographs, because of their chemical make up, are inherently unstable. The process of degradation ...
Lindberg traces Young's painting career between 1974 and 1984, emphasizing his transition from an ec...
Thom surveys Young's printmaking from 1963 to 1981, focusing on the use of art historical sources. B...
Lindberg traces Avery's career, emphasizing the influence of European fauvists, his empirical analys...
Lindberg surveys Benjamin's career focusing on his abstract paintings from 1977 to 1985 which, he as...
Comparing the practice of abstraction in Toronto to that in Montréal, Nasgaard dates the beginning o...
The Agnes Etherington Art Gallery presents acrylic paintings by Lindzon executed over ten years (197...
Lindberg laments the status of painting in the era of postmodernism, while reviewing the development...
Highlighting Young's antagonism towards theorization, Laurence offers an extensive analysis of "Tart...
Wilkin traces Perehudoff's career, concentrating on paintings of the 1970s in which the artist refin...
Noting the emergence of a surrealist element in paintings executed from 1989 to 1990, Shadbolt descr...
Gascon analyses how Robert's work draws from the expressive possibilities of painting; the author li...
Bovey and Tippett provide an introduction to Koerner's life and work, using the artist's diaries and...
Wilkin traces developments in Ristvedt's paintings dating from 1968 to 1979. Biographical notes. 7 b...
In the early 1970s, New York gallerist Louis K. Meisel devised a formal set of criteria to identify ...
Photographs, because of their chemical make up, are inherently unstable. The process of degradation ...