Dillow traces the development of Tascona's formal and geometric style and examines the artist's attitudes towards art and materials. Biographical notes. 70 bibl. ref
In a written response to questions prepared by Kidd, Bentham discusses his influences, working in th...
In separate reprinted texts, Ferguson and Monk describe Brown's sculpture installations, dating from...
The work of the artist presented in this abstract is a result of much personal involvement with thou...
Dillow traces the development of Tascona's formal and geometric style and examines the artist's atti...
According to Eckhardt, Toscona's work refers to modern technology and the seductive elegance of indu...
Meyers describes the history and properties of aluminium as a metal, and as an artistic medium used ...
Christie comments on the development of six steel sculpture works by Bentham. Statement by the artis...
The authors trace the development of Cragg's work and ideas, focusing on his use of materials and th...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
For this retrospective exhibition, Hart briefly discusses aspects of metal work by designer/craftspe...
Phillips summarizes the 20th century's changed approach towards sculpture and traces the development...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
In this dissertation, I examine the work of the American sculptor Kenneth Snelson in the context of ...
This publication was made to accompany a retrospective exhibition of works by American-born furnitur...
In a written response to questions prepared by Kidd, Bentham discusses his influences, working in th...
In separate reprinted texts, Ferguson and Monk describe Brown's sculpture installations, dating from...
The work of the artist presented in this abstract is a result of much personal involvement with thou...
Dillow traces the development of Tascona's formal and geometric style and examines the artist's atti...
According to Eckhardt, Toscona's work refers to modern technology and the seductive elegance of indu...
Meyers describes the history and properties of aluminium as a metal, and as an artistic medium used ...
Christie comments on the development of six steel sculpture works by Bentham. Statement by the artis...
The authors trace the development of Cragg's work and ideas, focusing on his use of materials and th...
Smith analyzes Judd's use of colour, line, and volume to articulate the separate and distinct spaces...
For this retrospective exhibition, Hart briefly discusses aspects of metal work by designer/craftspe...
Phillips summarizes the 20th century's changed approach towards sculpture and traces the development...
Baster describes the artist's use of industrial found objects and situates the resulting sculptures ...
Dillow traces Perehudoff's career, emphasizing the use of line, space and colour in the abstract pai...
In this dissertation, I examine the work of the American sculptor Kenneth Snelson in the context of ...
This publication was made to accompany a retrospective exhibition of works by American-born furnitur...
In a written response to questions prepared by Kidd, Bentham discusses his influences, working in th...
In separate reprinted texts, Ferguson and Monk describe Brown's sculpture installations, dating from...
The work of the artist presented in this abstract is a result of much personal involvement with thou...