Add to ORKGAccording to the author, Head's relief canvases exist in space as objects because of their three-dimensionality
Space as the visual world comprises the three directions of height, length and depth, which are brou...
Includes bibliographical references (page 5)An object painting is a new reality, in the sense that i...
The problem with the correlation between painting’s flat surface and three-dimensionality of depicte...
According to the author, Head's relief canvases exist in space as objects because of their three-dim...
The author analyzes Hedrick's preparatory drawings and describes the artist's painting as exploiting...
The human urge to represent the three-dimensional world using two-dimensional pictorial representati...
Explores how still-life paintings can look three-dimensional, how open doors can lead nowhere, and h...
The author briefly points out how Gallie, WIlliams and Hicks expand the concept of sculpture. Includ...
Following its discovery in fifteenth-century Italy, linear perspective has often been hailed as the ...
Viewed from odd angles, the ordinary looks new and the commonplace becomes unusual. The purpose of m...
[[abstract]]Contributed by Constructivism, De stiji, Neo-Plasticism movement, Bauhaus, the concept o...
As an artist my research involves investigating the nature of visual perception, arriving at novel w...
O'Neill examines the position of meaning and the status of the portrait in the artist's paintings si...
Statues, monuments, ceramics, metal alloys, etc., constituting the main part of the cultural heritag...
Following its discovery in fifteenth-century Italy, linear perspective has often been hailed as the ...
Space as the visual world comprises the three directions of height, length and depth, which are brou...
Includes bibliographical references (page 5)An object painting is a new reality, in the sense that i...
The problem with the correlation between painting’s flat surface and three-dimensionality of depicte...
According to the author, Head's relief canvases exist in space as objects because of their three-dim...
The author analyzes Hedrick's preparatory drawings and describes the artist's painting as exploiting...
The human urge to represent the three-dimensional world using two-dimensional pictorial representati...
Explores how still-life paintings can look three-dimensional, how open doors can lead nowhere, and h...
The author briefly points out how Gallie, WIlliams and Hicks expand the concept of sculpture. Includ...
Following its discovery in fifteenth-century Italy, linear perspective has often been hailed as the ...
Viewed from odd angles, the ordinary looks new and the commonplace becomes unusual. The purpose of m...
[[abstract]]Contributed by Constructivism, De stiji, Neo-Plasticism movement, Bauhaus, the concept o...
As an artist my research involves investigating the nature of visual perception, arriving at novel w...
O'Neill examines the position of meaning and the status of the portrait in the artist's paintings si...
Statues, monuments, ceramics, metal alloys, etc., constituting the main part of the cultural heritag...
Following its discovery in fifteenth-century Italy, linear perspective has often been hailed as the ...
Space as the visual world comprises the three directions of height, length and depth, which are brou...
Includes bibliographical references (page 5)An object painting is a new reality, in the sense that i...
The problem with the correlation between painting’s flat surface and three-dimensionality of depicte...