While Crépeau summarizes the various research procedures used to produce the exhibition, three authors analyze the emergence of Québec artists on the international scene. Déry suggests that this phenomenon has expanded in the 1980s and reflects a society in redefinition. Pontbriand stresses the influence of "Parachute" magazine, French post-structuralism and European art. Refering to video's mobility and vast system of distribution, Aquin examines the situation of Québec video artists. Biographical notes on 38 artists. 92 bibl. ref
Analysing the differences between painting and photography and tracing their influence on one anothe...
This catalogue documents a video event presenting works by over 100 international artists and featur...
For the fifth edition of the event, the catalogue assembles approximately 20 essays, analyses, and r...
Lussier links the three mediums to the ruin and the trace, while Pulin briefly describes how these p...
For a travelling exhibition of recent Québec and Canadian work, the authors trace the evolution of i...
While Mercier discusses the symbolic meaning of the head and text in relation to art, several author...
À ce jour, à l’échelle de l’Europe, une histoire de l’art vidéo demeure donc à faire. C’est la missi...
Thériault situates the exhibition historically while De Guise discusses individual works by 18 Québe...
Catalogue documenting an exhibition presented during the Montreal Olympic Games, presented concurren...
Catalogue for an exhibition surveying the main trends of Quebec photography since the second half of...
Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec,...
Raphael and Leblond outline the goals of the S.A.P.Q. (Society of Professional Artists of Québec). B...
Produced for the festival's 10th edition, this catalogue documents works by six installation artists...
À ce jour, une histoire de l’art vidéo à l’échelle de l’Europe reste à faire. C’est la mission ...
Works by 150 international artists are annotated in this catalogue which includes discussions about ...
Analysing the differences between painting and photography and tracing their influence on one anothe...
This catalogue documents a video event presenting works by over 100 international artists and featur...
For the fifth edition of the event, the catalogue assembles approximately 20 essays, analyses, and r...
Lussier links the three mediums to the ruin and the trace, while Pulin briefly describes how these p...
For a travelling exhibition of recent Québec and Canadian work, the authors trace the evolution of i...
While Mercier discusses the symbolic meaning of the head and text in relation to art, several author...
À ce jour, à l’échelle de l’Europe, une histoire de l’art vidéo demeure donc à faire. C’est la missi...
Thériault situates the exhibition historically while De Guise discusses individual works by 18 Québe...
Catalogue documenting an exhibition presented during the Montreal Olympic Games, presented concurren...
Catalogue for an exhibition surveying the main trends of Quebec photography since the second half of...
Latour recalls event of the 1940s that contributed to the emergence of artistic movements in Québec,...
Raphael and Leblond outline the goals of the S.A.P.Q. (Society of Professional Artists of Québec). B...
Produced for the festival's 10th edition, this catalogue documents works by six installation artists...
À ce jour, une histoire de l’art vidéo à l’échelle de l’Europe reste à faire. C’est la mission ...
Works by 150 international artists are annotated in this catalogue which includes discussions about ...
Analysing the differences between painting and photography and tracing their influence on one anothe...
This catalogue documents a video event presenting works by over 100 international artists and featur...
For the fifth edition of the event, the catalogue assembles approximately 20 essays, analyses, and r...