Sharp defines Smith's abstract paintings as coming from the English tradition and elaborates on the artist's approach to color, surface and meaning. Biographical notes
David Sharp began his tenure with Eastern Michigan University in 1962 as a member of the Art Departm...
The role of the window in painting provides a point of departure in Burnett's monograph on realist a...
Book reviews of Richard Smith: Artworks 1954-2013 (Estate of Francis Bacon/Thames & Hudson, David Sm...
Asserting Smith's preoccupation with the "primacy of perception as a creative experience" (as articu...
Kidd discusses Smith as one of a group of Edmonton abstract painters working in the modernist tradit...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
A brief introductory text relates the formal concerns of Smith's abstract landscape paintings dating...
Harry Smith was an American artist who worked primarily in the 1940s through the 1980s. Although lar...
Larsen traces the development of Smith's career as a landscape painter by examining the formal chang...
Smith sketches some historical motivations for the revival of the figure in contemporary art, especi...
Podedworny describes Robinson's drawings, paintings, etchings and glassworks, noting his use of line...
Artists of David Smith\u27s generation often sought to produce artworks that challenged the conventi...
The American sculptor, David Smith is widely known for his welded steel constructions, but his work ...
The author suggests that Sharpe's paintings refer to the landscape despite their formalist abstracti...
Emery notes Smith's use of color and space, as well as his concern for the forms of nature in works ...
David Sharp began his tenure with Eastern Michigan University in 1962 as a member of the Art Departm...
The role of the window in painting provides a point of departure in Burnett's monograph on realist a...
Book reviews of Richard Smith: Artworks 1954-2013 (Estate of Francis Bacon/Thames & Hudson, David Sm...
Asserting Smith's preoccupation with the "primacy of perception as a creative experience" (as articu...
Kidd discusses Smith as one of a group of Edmonton abstract painters working in the modernist tradit...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
A brief introductory text relates the formal concerns of Smith's abstract landscape paintings dating...
Harry Smith was an American artist who worked primarily in the 1940s through the 1980s. Although lar...
Larsen traces the development of Smith's career as a landscape painter by examining the formal chang...
Smith sketches some historical motivations for the revival of the figure in contemporary art, especi...
Podedworny describes Robinson's drawings, paintings, etchings and glassworks, noting his use of line...
Artists of David Smith\u27s generation often sought to produce artworks that challenged the conventi...
The American sculptor, David Smith is widely known for his welded steel constructions, but his work ...
The author suggests that Sharpe's paintings refer to the landscape despite their formalist abstracti...
Emery notes Smith's use of color and space, as well as his concern for the forms of nature in works ...
David Sharp began his tenure with Eastern Michigan University in 1962 as a member of the Art Departm...
The role of the window in painting provides a point of departure in Burnett's monograph on realist a...
Book reviews of Richard Smith: Artworks 1954-2013 (Estate of Francis Bacon/Thames & Hudson, David Sm...