Add to ORKGFarr describes Mohr's abstract paintings from 1955 to 1985, with reference to her working methods and the influences of other Canadian abstract painters. Biographical notes
Posner defines Kirkeby's paintings and drawings of the 1980s as gestural abstractions rooted in nort...
American Visions is a musical portrait of six mid-century American Abstract Expressionist painters. ...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...
Focussing primarily on the 1940s and 1950s, Hubbard considers the movements and works that grew out ...
Shooman examines the abstract paintings produced by Schluderbacher in 1991. Biographical notes
Lindberg analyzes Schmidt's figurative prints and paintings from 1964 to 1985, stressing the influen...
McNairn outlines the development of abstract art in Canada. Includes biographical notes on the eight...
Arnold locates Teitelbaum in the context of Canadian postmodernism and the avant-garde, Fulford chro...
Abstract landscape predominantly made up of shades of red and blue.Gerard L. FieldErna Landsberg was...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
Boulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist...
Marzolf documents the history of painter Lochhead's involvement with the Emma Lake Workshops, focusi...
The authors outline Brandtner's life and work stressing the German context around the 1920s (particu...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Posner defines Kirkeby's paintings and drawings of the 1980s as gestural abstractions rooted in nort...
American Visions is a musical portrait of six mid-century American Abstract Expressionist painters. ...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...
Focussing primarily on the 1940s and 1950s, Hubbard considers the movements and works that grew out ...
Shooman examines the abstract paintings produced by Schluderbacher in 1991. Biographical notes
Lindberg analyzes Schmidt's figurative prints and paintings from 1964 to 1985, stressing the influen...
McNairn outlines the development of abstract art in Canada. Includes biographical notes on the eight...
Arnold locates Teitelbaum in the context of Canadian postmodernism and the avant-garde, Fulford chro...
Abstract landscape predominantly made up of shades of red and blue.Gerard L. FieldErna Landsberg was...
McKaskell establishes the context of the visual arts in the 1950s with reference to the development ...
Boulet emphasizes form and colour in Gregson's abstract paintings. Includes statements by the artist...
Marzolf documents the history of painter Lochhead's involvement with the Emma Lake Workshops, focusi...
The authors outline Brandtner's life and work stressing the German context around the 1920s (particu...
Duquette delineates the evolution of certain formal elements, such as colour and composition, in Bla...
Murray examines the significance of an exhibition of seven painters (the forming members of Painters...
Posner defines Kirkeby's paintings and drawings of the 1980s as gestural abstractions rooted in nort...
American Visions is a musical portrait of six mid-century American Abstract Expressionist painters. ...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...