Add to ORKGJohnstone examines the use of photography in the sculptural works of six Québec artists, linking their use of appropriation to deconstruct documentary attributes, with the work of Duchamp and Rauschenberg. Doyon discusses the works in the exhibition with reference to enunciation, materiality, codes of vision, distancing, and the referentialization of reality. Biographical notes. 26 bibl. ref
This publication briefly presents the work of five artists who took part in a residency (summer of 2...
Hickox comments on the changing uses of photography and its combination with other media in the exhi...
Parent briefly considers seven Quebec artist's works as extensions towards various media (sculpture,...
Johnstone examines the use of photography in the sculptural works of six Québec artists, linking the...
Analysing the differences between painting and photography and tracing their influence on one anothe...
Catalogue for an exhibition surveying the main trends of Quebec photography since the second half of...
Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...
Poser and Tatransky consider the use of photography, film and language in sculpture installation wor...
The relationship between photography and sculpture, unlike the dialogue between the latter and paint...
Krausz briefly outlines the context for this exhibition-exchange between ten Southern Californian an...
On the occasion of the 5th edition of the "Mois de la photo à Montréal", Blouin defines the objectiv...
The artists of the exhibition ‘Les Yeux Rouges’, professors of the Photography section of La Cambre ...
© 2012 Paul AdairThis practice-led research project investigates the potential of an evolving relati...
Photographic work was exhibited in 'Collection Agnes B', Les Abattiors – Frac Midi – Pyrenees, Toulo...
This catalogue documents an exhibition of works by ten photographers who explore notions of belongin...
This publication briefly presents the work of five artists who took part in a residency (summer of 2...
Hickox comments on the changing uses of photography and its combination with other media in the exhi...
Parent briefly considers seven Quebec artist's works as extensions towards various media (sculpture,...
Johnstone examines the use of photography in the sculptural works of six Québec artists, linking the...
Analysing the differences between painting and photography and tracing their influence on one anothe...
Catalogue for an exhibition surveying the main trends of Quebec photography since the second half of...
Wilson co-curated an international survey exhibition of 30 sculptures past and present, each work by...
Poser and Tatransky consider the use of photography, film and language in sculpture installation wor...
The relationship between photography and sculpture, unlike the dialogue between the latter and paint...
Krausz briefly outlines the context for this exhibition-exchange between ten Southern Californian an...
On the occasion of the 5th edition of the "Mois de la photo à Montréal", Blouin defines the objectiv...
The artists of the exhibition ‘Les Yeux Rouges’, professors of the Photography section of La Cambre ...
© 2012 Paul AdairThis practice-led research project investigates the potential of an evolving relati...
Photographic work was exhibited in 'Collection Agnes B', Les Abattiors – Frac Midi – Pyrenees, Toulo...
This catalogue documents an exhibition of works by ten photographers who explore notions of belongin...
This publication briefly presents the work of five artists who took part in a residency (summer of 2...
Hickox comments on the changing uses of photography and its combination with other media in the exhi...
Parent briefly considers seven Quebec artist's works as extensions towards various media (sculpture,...