Murray outlines Rayner's early career as a commercial artist, his development as an artist and the influences on his work. Heinrich comments on Rayner's work and his approach to art. The artist recounts his life and comments on individual works. Biographical notes. Circa 45 bibl. ref
Brent provides biographical information as well as descriptions of the various methods and technique...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
In a brief text, artist Forrestall discusses the beginning of his career, technique and the possibil...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...
In tracing his career in the Toronto art community, Paikowsky points out Rayner's early interest in ...
Hale attributes Rayner's sense of place in his work from the late 1950s to the earlier 1970s to his ...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
In this retrospective book on the life and paintings of Borenstein, Kuhns writes on the painter's fu...
Summarizing the development of Mead's painting, Murray analyses his use of abstraction in relation t...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
Burton discusses his life, the Toronto art scene in the 1950s and 1960s, and the influences on his w...
Murray focuses on painter Armstrong's education, her early work directly from nature, and her later ...
Fleming outlines Favro's life and the development of his projected reconstructions and technical obj...
Emery notes Smith's use of color and space, as well as his concern for the forms of nature in works ...
Brent provides biographical information as well as descriptions of the various methods and technique...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
In a brief text, artist Forrestall discusses the beginning of his career, technique and the possibil...
Murray outlines Rayner's early career as a commercial artist, his development as an artist and the i...
In tracing his career in the Toronto art community, Paikowsky points out Rayner's early interest in ...
Hale attributes Rayner's sense of place in his work from the late 1950s to the earlier 1970s to his ...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
In this retrospective book on the life and paintings of Borenstein, Kuhns writes on the painter's fu...
Summarizing the development of Mead's painting, Murray analyses his use of abstraction in relation t...
Focusing on Smith's paintings from 1985 to 1987, Wallace traces the fluctuations between abstraction...
Burton discusses his life, the Toronto art scene in the 1950s and 1960s, and the influences on his w...
Murray focuses on painter Armstrong's education, her early work directly from nature, and her later ...
Fleming outlines Favro's life and the development of his projected reconstructions and technical obj...
Emery notes Smith's use of color and space, as well as his concern for the forms of nature in works ...
Brent provides biographical information as well as descriptions of the various methods and technique...
Commemoration of 30 years of work by Ryman (1958-1988) including two interviews with the artist as w...
In a brief text, artist Forrestall discusses the beginning of his career, technique and the possibil...