Add to ORKGOutlining the development of Smylie's work, Murray focuses on his use of lithography and his recent practice of overlapping images. Biographical notes
Shuebrook emphasizes the exploratory nature of Boucher's geometric paintings. The painter provides a...
Kirwin discusses the techniques and themes used in Chu's lithograph prints, focusing on his insect a...
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...
Outlining the development of Smylie's work, Murray focuses on his use of lithography and his recent ...
White emphasizes the shared artistic discoveries which resulted from the collaboration in making lit...
This volume contains a biography of James D. Smillie emphasizing events relevant to Smillie\u27s car...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Gene Beery LIFE! is the first monograph dedicated to this prolific American artist (b. 1937) who has...
Bellerby traces developments in Murray's large-scale public sculptures, from 1959 to the 1980s. Incl...
Printmaker Porter writes about Murphy's exploration of the photogravure technique in creating imager...
Semi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic d...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Murray traces Lander's development as a painter, printmaker and watercolourist of decorative still l...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Murray reflects on Roe's work and his environmental concerns. Artist's statement. Biographical notes
Shuebrook emphasizes the exploratory nature of Boucher's geometric paintings. The painter provides a...
Kirwin discusses the techniques and themes used in Chu's lithograph prints, focusing on his insect a...
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...
Outlining the development of Smylie's work, Murray focuses on his use of lithography and his recent ...
White emphasizes the shared artistic discoveries which resulted from the collaboration in making lit...
This volume contains a biography of James D. Smillie emphasizing events relevant to Smillie\u27s car...
Noting Mead's early life and influences on his work, Murray examines his drawings from the 1950s to ...
Gene Beery LIFE! is the first monograph dedicated to this prolific American artist (b. 1937) who has...
Bellerby traces developments in Murray's large-scale public sculptures, from 1959 to the 1980s. Incl...
Printmaker Porter writes about Murphy's exploration of the photogravure technique in creating imager...
Semi-biographical essay discussing Trainor's paintings, prints and drawings as well as the graphic d...
Boudreau traces Riopelle's career from the late 1940s to the 1980s, refering to his use of texture a...
Murray traces Lander's development as a painter, printmaker and watercolourist of decorative still l...
Murray recounts the events that influenced de Niverville's work; Dault traces developments in the pa...
Murray reflects on Roe's work and his environmental concerns. Artist's statement. Biographical notes
Shuebrook emphasizes the exploratory nature of Boucher's geometric paintings. The painter provides a...
Kirwin discusses the techniques and themes used in Chu's lithograph prints, focusing on his insect a...
Farrell describes the artist's background, the process of making "sculptographs" (life-size cast pap...