Add to ORKGRichmond focuses on how Cuthand incorporates her native cultural heritage into her paintings. Biographical notes. 4 bibl. ref
Moppett comments on Welsh's working method influences, and relation to the landscape that is the sub...
Gagnon describes Native artist Marshall's work and its preoccupation with the political aspects of a...
Tousley notes the characteristics particular to Alberta art production in her consideration of works...
Richmond focuses on how Cuthand incorporates her native cultural heritage into her paintings. Biogra...
Interpreting Cuthand's multimedia installation, Grenville alludes to ongoing Native negotiations for...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
Quoting the artist and providing biographical insights, Williams reflects on the painter's familiari...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
Davison documents the work of thirty B.C. artists who have used realism to depict animals in nature....
The local, regional tradition of hooked rugs is the point of departure for Knowling's mixed-media dr...
McLuhan outlines the careers of three Prairie native artists and the developement of their work. Bio...
Clark's essay on Baird's installation addresses the importance of the artist's Native culture to her...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...
Noting the problematic role of different traditions in contemporary Northwest Coast Native art, Danf...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...
Moppett comments on Welsh's working method influences, and relation to the landscape that is the sub...
Gagnon describes Native artist Marshall's work and its preoccupation with the political aspects of a...
Tousley notes the characteristics particular to Alberta art production in her consideration of works...
Richmond focuses on how Cuthand incorporates her native cultural heritage into her paintings. Biogra...
Interpreting Cuthand's multimedia installation, Grenville alludes to ongoing Native negotiations for...
Rinder describes Canadian-born Martin's recent formalist paintings. Richmond's essay fuses elements ...
Quoting the artist and providing biographical insights, Williams reflects on the painter's familiari...
Legge examines each artist's work, focusing on their use of painting to produce imaginative and surr...
Davison documents the work of thirty B.C. artists who have used realism to depict animals in nature....
The local, regional tradition of hooked rugs is the point of departure for Knowling's mixed-media dr...
McLuhan outlines the careers of three Prairie native artists and the developement of their work. Bio...
Clark's essay on Baird's installation addresses the importance of the artist's Native culture to her...
Kollar describes the Beaver Hall Group and its aims. The artists' careers are discussed in relation ...
Noting the problematic role of different traditions in contemporary Northwest Coast Native art, Danf...
Hoskins outlines Wainwright's training and work from 1917 to 1980, beginning with early figurative w...
Moppett comments on Welsh's working method influences, and relation to the landscape that is the sub...
Gagnon describes Native artist Marshall's work and its preoccupation with the political aspects of a...
Tousley notes the characteristics particular to Alberta art production in her consideration of works...