Add to ORKGFerguson briefly discusses the development of video in Canada in relation to institutional support, distribution and broadcasting. Extensive essays discuss eight artists' work. Biographical notes. Circa 90 bibl. ref
Dunn describes the conceptual, performance, synaesthetic and experiential elements of video while Ga...
According to the authors, five Canadian video art productions, intended both for television broadcas...
Gale and Morishita characterize independent video art in Canada through a discussion of Canadian ide...
Ferguson briefly discusses the development of video in Canada in relation to institutional support, ...
Summarizing the development of artists' video, Rutherford describes the medium's exploration of soci...
Madill notes the development of video since the early 1960s and the different approaches to the medi...
For a travelling exhibition of recent Québec and Canadian work, the authors trace the evolution of i...
Brown offers a brief history of video as an artistic practice concentrating on the biographies of si...
Videos dating from the 1970's and produced by 27 artists from the United States and Canada have been...
Laurette notes the viewer's response to four video installations. Statement by artists Cameron, Goss...
Knights' detailed history of Ed Video outlines the evolution of the medium and looks at the prevalen...
Produced for the festival's 10th edition, this catalogue documents works by six installation artists...
Noting the beginnings of the parallel gallery system, Blouin outlines the development of Western Fro...
Ditta briefly outlines the history of video by artists and its' problematic relation to both art and...
Gathering the selected works of 47 Canadian, American and European video artists under 12 programs a...
Dunn describes the conceptual, performance, synaesthetic and experiential elements of video while Ga...
According to the authors, five Canadian video art productions, intended both for television broadcas...
Gale and Morishita characterize independent video art in Canada through a discussion of Canadian ide...
Ferguson briefly discusses the development of video in Canada in relation to institutional support, ...
Summarizing the development of artists' video, Rutherford describes the medium's exploration of soci...
Madill notes the development of video since the early 1960s and the different approaches to the medi...
For a travelling exhibition of recent Québec and Canadian work, the authors trace the evolution of i...
Brown offers a brief history of video as an artistic practice concentrating on the biographies of si...
Videos dating from the 1970's and produced by 27 artists from the United States and Canada have been...
Laurette notes the viewer's response to four video installations. Statement by artists Cameron, Goss...
Knights' detailed history of Ed Video outlines the evolution of the medium and looks at the prevalen...
Produced for the festival's 10th edition, this catalogue documents works by six installation artists...
Noting the beginnings of the parallel gallery system, Blouin outlines the development of Western Fro...
Ditta briefly outlines the history of video by artists and its' problematic relation to both art and...
Gathering the selected works of 47 Canadian, American and European video artists under 12 programs a...
Dunn describes the conceptual, performance, synaesthetic and experiential elements of video while Ga...
According to the authors, five Canadian video art productions, intended both for television broadcas...
Gale and Morishita characterize independent video art in Canada through a discussion of Canadian ide...