Add to ORKGIn separate texts, Ferguson compares the phenomenological experience of an object to that of its photographic reproduction while Pelletier considers his photographs of lost gloves as a means of exploring one's relationship to familiar objects
A special edition of Parachute magazine to coincide with the presentation of the narrative images of...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Two texts note the analogic linking of photosynthesis and photography in Pellegrinuzzi's installatio...
Questionning the relationship between photographic representation and reality, Ferguson reveals a de...
Boudreault and Hakim comment on Primeau's sculptures which reveal the internal structures and hidden...
While quoting Beckett and Koltès, Doove locates this Amsterdam-based French photographer's inspirati...
Labarre Guy. Fortune et Providence dans les écrits de Plutarque ? F. Frazier, D. F. Leão (éds.), «Ty...
This first "homemade" publication by Galerie Verticale presents an exhibition which gathers together...
Pellettier's figure sculptures are viewed as a manifestation of interiorized human conflict. Biograp...
For A Few More Sequins... Jean Genet's Le Funambule (tightrope artist) and the Poetic Image of Movem...
Finger of a Frenchman explores looking, and writing about looking: looking at surfaces and beyond th...
The year 1978 saw the first exhibition of photographic portraits of Marcel Proust's family, friends ...
Interviewed by P. Cousineau-Levine on the reasons for his selections, painter and invited curator Do...
Ferguson questions photography's capacity to capture the essence of a subject and comments on the me...
This article explores the ways in which the photographic act is an autobiographical one. It shows ho...
A special edition of Parachute magazine to coincide with the presentation of the narrative images of...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Two texts note the analogic linking of photosynthesis and photography in Pellegrinuzzi's installatio...
Questionning the relationship between photographic representation and reality, Ferguson reveals a de...
Boudreault and Hakim comment on Primeau's sculptures which reveal the internal structures and hidden...
While quoting Beckett and Koltès, Doove locates this Amsterdam-based French photographer's inspirati...
Labarre Guy. Fortune et Providence dans les écrits de Plutarque ? F. Frazier, D. F. Leão (éds.), «Ty...
This first "homemade" publication by Galerie Verticale presents an exhibition which gathers together...
Pellettier's figure sculptures are viewed as a manifestation of interiorized human conflict. Biograp...
For A Few More Sequins... Jean Genet's Le Funambule (tightrope artist) and the Poetic Image of Movem...
Finger of a Frenchman explores looking, and writing about looking: looking at surfaces and beyond th...
The year 1978 saw the first exhibition of photographic portraits of Marcel Proust's family, friends ...
Interviewed by P. Cousineau-Levine on the reasons for his selections, painter and invited curator Do...
Ferguson questions photography's capacity to capture the essence of a subject and comments on the me...
This article explores the ways in which the photographic act is an autobiographical one. It shows ho...
A special edition of Parachute magazine to coincide with the presentation of the narrative images of...
In this monograph dedicated to Montreal artist Lamothe’s photographs, two authors discuss technical ...
Two texts note the analogic linking of photosynthesis and photography in Pellegrinuzzi's installatio...