Add to ORKGSt-Pierre examines the relationship between Dutkewych's sculpture and the work of Brancusi and Giacometti, focusing on the artist's representation of the human figure. Biographical notes. 12 bibl. ref
Giacometti sketching a face. Intercut with faces from his painting and sculpture. Commentary sugg...
Ostiguy outlines Dumouchel's career as a printmaker, noting his attraction to Europe, shifts in his ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
St-Pierre examines the relationship between Dutkewych's sculpture and the work of Brancusi and Giaco...
In order to elucidate the return to figuration in Dutkewych's sculpture, St-Pierre takes on the inte...
St-Pierre discusses Jarnuszkiewicz's sculpture, "Passe-temps", in relation to the perception of time...
In three texts, Saint-Pierre's process of working, his various formulations of the idea of the canva...
Halbreich posits Brancusi as the sole important unifying point among three American, and one Irish, ...
Paikowsky briefly describes the steps leading up to Dutkewych's 1979-1982 "Cascade" series of welded...
In this exhibition catalogue of works by 16 American sculptors, Dreishpoon inquires into the degree ...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
The authors demonstrate how Delorme's sculptural work evokes the industrial realm (St-Pierre's text ...
Johnstone examines the use of photography in the sculptural works of six Québec artists, linking the...
Giacometti sketching a face. Intercut with faces from his painting and sculpture. Commentary sugg...
“Bonjour Brancusi” is a 60-page graphic biography (164 frames) about the life and art of Constantin ...
Giacometti sketching a face. Intercut with faces from his painting and sculpture. Commentary sugg...
Ostiguy outlines Dumouchel's career as a printmaker, noting his attraction to Europe, shifts in his ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...
St-Pierre examines the relationship between Dutkewych's sculpture and the work of Brancusi and Giaco...
In order to elucidate the return to figuration in Dutkewych's sculpture, St-Pierre takes on the inte...
St-Pierre discusses Jarnuszkiewicz's sculpture, "Passe-temps", in relation to the perception of time...
In three texts, Saint-Pierre's process of working, his various formulations of the idea of the canva...
Halbreich posits Brancusi as the sole important unifying point among three American, and one Irish, ...
Paikowsky briefly describes the steps leading up to Dutkewych's 1979-1982 "Cascade" series of welded...
In this exhibition catalogue of works by 16 American sculptors, Dreishpoon inquires into the degree ...
Noting Kostyniuk's interest in art and science, Climer outlines the development of the artist's work...
The authors demonstrate how Delorme's sculptural work evokes the industrial realm (St-Pierre's text ...
Johnstone examines the use of photography in the sculptural works of six Québec artists, linking the...
Giacometti sketching a face. Intercut with faces from his painting and sculpture. Commentary sugg...
“Bonjour Brancusi” is a 60-page graphic biography (164 frames) about the life and art of Constantin ...
Giacometti sketching a face. Intercut with faces from his painting and sculpture. Commentary sugg...
Ostiguy outlines Dumouchel's career as a printmaker, noting his attraction to Europe, shifts in his ...
Lacroix traces Dorion’s career since his student years, when he was inspired by paintings and photog...