Add to ORKGPietrzak notes a movement away from clay as craft medium in the installation and large scale sculpture works by six Ontario artists. Biographical notes
Young’s descriptive analysis of sound sculptures by six Ontario artists draws attention to how the p...
Outlining the history of sculptural activity in Calgary, the curator discusses the concerns and work...
Madill traces modern sculpture's move away from narrative associations and its ensuing emphasis on f...
Pietrzak notes a movement away from clay as craft medium in the installation and large scale sculptu...
Gomez presents a survey of developments in ceramics in Alberta, British Columbia and Saskatchewan fo...
Statements and visual documentation present the work of eight artists producing ceramic sculpture. B...
Presentation of sculptural works in wood by six Alberta artists. Statements by some of the sculptors...
Curatorial statements accompany artists' statements by six Québec and Ontario artists using glass as...
Presentation of works by five Ontario artists whose works respond to the inside gallery space and th...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Hickey outlines the history of the Studio Glass Movement in Canada and focuses on the resources avai...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
Morgan evokes the prairie as experience in relation to the production of art in Saskatchewan. The si...
Silverberg briefly notes the tradition of contemporary ceramics in Quebec. Biographical notes on 11 ...
The authors outline the development of ceramic sculpture in Western Canada, the influence of Funk Ar...
Young’s descriptive analysis of sound sculptures by six Ontario artists draws attention to how the p...
Outlining the history of sculptural activity in Calgary, the curator discusses the concerns and work...
Madill traces modern sculpture's move away from narrative associations and its ensuing emphasis on f...
Pietrzak notes a movement away from clay as craft medium in the installation and large scale sculptu...
Gomez presents a survey of developments in ceramics in Alberta, British Columbia and Saskatchewan fo...
Statements and visual documentation present the work of eight artists producing ceramic sculpture. B...
Presentation of sculptural works in wood by six Alberta artists. Statements by some of the sculptors...
Curatorial statements accompany artists' statements by six Québec and Ontario artists using glass as...
Presentation of works by five Ontario artists whose works respond to the inside gallery space and th...
Martin considers the conditions of painting, intention and meaning in his work. Saxe defines his pro...
Hickey outlines the history of the Studio Glass Movement in Canada and focuses on the resources avai...
Documenting the artist's first solo Canadian exhibition, a discussion of Clay's work within 1980's r...
Morgan evokes the prairie as experience in relation to the production of art in Saskatchewan. The si...
Silverberg briefly notes the tradition of contemporary ceramics in Quebec. Biographical notes on 11 ...
The authors outline the development of ceramic sculpture in Western Canada, the influence of Funk Ar...
Young’s descriptive analysis of sound sculptures by six Ontario artists draws attention to how the p...
Outlining the history of sculptural activity in Calgary, the curator discusses the concerns and work...
Madill traces modern sculpture's move away from narrative associations and its ensuing emphasis on f...