Add to ORKGAnalysing the subject matter and form of Zuck's paintings, Dompierre interprets his images as visual signs opened to layered meanings. Biographical notes. 15 bibl. ref
Using textual fragments and images, West attempts to reconstruct the collective experience of the ar...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Tracing Zuck's transition from conceptual to painted works, White elaborates on the artist's develop...
Paikowsky describes Zuck's paintings of landscapes, architecture and objects, underlining his use of...
Cameron adopts a biographical approach to Zuck's works while Spalding uncovers a personal dimension ...
The contributors offer different perspectives in this survey of Zuck’s paintings. Govier meditates o...
The authors describe Reichert's paintings, refering to the influences on his work and his ideas abou...
Providing a chronological account of Zupnik's evolution, Macek situates the photographer within the ...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Presenting Kenneth Lochhead's work from 1952 to 1975, Douglas Lochhead remenisces on the artist's ea...
Corrigan's brief text intersperses descriptions of the painter and his work. Brief statement by the ...
Examining Koop's paintings, their formal structures and juxtaposition of images, the authors elabora...
Using textual fragments and images, West attempts to reconstruct the collective experience of the ar...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref
Tracing Zuck's transition from conceptual to painted works, White elaborates on the artist's develop...
Paikowsky describes Zuck's paintings of landscapes, architecture and objects, underlining his use of...
Cameron adopts a biographical approach to Zuck's works while Spalding uncovers a personal dimension ...
The contributors offer different perspectives in this survey of Zuck’s paintings. Govier meditates o...
The authors describe Reichert's paintings, refering to the influences on his work and his ideas abou...
Providing a chronological account of Zupnik's evolution, Macek situates the photographer within the ...
Moppett surveys Graff's painting career, noting how he developed a pictorial language of significant...
Dompierre describes the metamorphosis inherent to Ciesluk's outdoor landworks and the process by whi...
Leblond discusses the relationship between experience and artistic activity in Hamel's paintings. In...
Presenting Kenneth Lochhead's work from 1952 to 1975, Douglas Lochhead remenisces on the artist's ea...
Corrigan's brief text intersperses descriptions of the painter and his work. Brief statement by the ...
Examining Koop's paintings, their formal structures and juxtaposition of images, the authors elabora...
Using textual fragments and images, West attempts to reconstruct the collective experience of the ar...
Rosshandler analyses the tension established between the figurative and the abstract in Villeneuve's...
Bouyeure considers colors and forms in Conte's paintings. Biographical notes. Circa 26 bibl. ref