Add to ORKGGuest curator Sonne provides an historical background to her description of the relationships between art and the labour movement in Canada, particularly in Toronto, and interviews Clive Robertson about FUSE magazine. Biographical notes on the six participating artists. Circa 300 bibl. ref
The authors examine two Canadian art initiatives that librarians from Canadian universities have und...
As part of an alternative to canonical Canadian art history, this thesis looks at the histories of w...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
This publication documents a history of avant-garde activity in Canada since 1939. Bronson illustrat...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
" Imagining Resistance: Visual Culture and Activism in Canada offers two separate but interconnected...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
"In the resistance to the violence of gender-based oppression, vibrant - but often ignored - worlds ...
The terrain of artist-run culture in Canada and Québec discursively fabricates a network of artist-...
In this catalogue for an exhibition that surveys new media artworks produced in Vancouver during the...
The authors examine two Canadian art initiatives that librarians from Canadian universities have und...
As part of an alternative to canonical Canadian art history, this thesis looks at the histories of w...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...
Bradley briefly describes the development of the exhibition and diagnoses a plurality of artistic ap...
Defining the art of the 20th century as the art of the new, Aarons accounts for nine young Canadian ...
LaRue discusses the ideas of region, isolation and originality underlying the exhibition. The curato...
This publication documents a history of avant-garde activity in Canada since 1939. Bronson illustrat...
Burnett and Schiff provide an in-depth history of Canadian art from the 1940s through the 1980s. Dis...
Smith discusses the aims and organization of the "Painting Now" exhibition series. The work and arti...
" Imagining Resistance: Visual Culture and Activism in Canada offers two separate but interconnected...
Bradley and Nemiroff examine the re-emergence of figuration, the questioning of both subjectivity an...
Taking General Idea’s “Borderline Research” request, which appeared in the first issue of FILE Megaz...
"In the resistance to the violence of gender-based oppression, vibrant - but often ignored - worlds ...
The terrain of artist-run culture in Canada and Québec discursively fabricates a network of artist-...
In this catalogue for an exhibition that surveys new media artworks produced in Vancouver during the...
The authors examine two Canadian art initiatives that librarians from Canadian universities have und...
As part of an alternative to canonical Canadian art history, this thesis looks at the histories of w...
Elders situates the turn to figurative painting in the early 1980s within the history of 20th centur...